Batman and Son Review

Writer: Grant Morrison
Artist: Andy Kubert

I have been going through as many of my Batman stories from both comic and graphic novel collections, focusing on the key stories from Hush and on to the start of the New 52. This however was one that I was really looking forward to re-reading as bar the fact it's the first story by my favourite Batman writer Grant Morrison, it is also one of my favourite Batman stories written by him, if not my most favourite written by him. This is also my eleventh Batman review since Hush.

Plot

On a visit to England, Batman has to face a group of Man-Bat's from the League of Assassins, who are sent by Talia al Ghul. Talia would also bring Batman's son Damian Wayne along to meet his father for the first time.

Review

This was a phenomenal story, and a brilliant introduction to both Grant Morrison's run as well as Batman's son Damian Wayne. Morrison does a great job of making this story many things at once, as there are times where it's slightly humorous, times where it's really gritty, and others were it's very emotional. Throughout this Morrison managed to make this a very dramatic and suspenseful story as well, and I loved the overall tone and atmosphere throughout. I also felt that this was a very refreshing change for Batman, as although there were a few interesting stories following Hush, there wasn't really any as unique as this story was, and it would also have very big development points that were handled well. Morrison also managed to keep this very balanced, having a mixture of brilliant action and fantastic dialogue, both of which kept the story very exciting and entertaining.

The art on this book was also amazing, and this was some of the best art that I've ever seen from Andy Kubert. The detail in Kubert's artwork was simply brilliant, as although there may have been very minor imperfections they were very hard to notice. I also loved how Kubert managed to make Damian look both innocent and mischievous at certain times in this story, and the character emotion in general was handled perfectly, adding a lot of depth and drama to the issue. I also loved the action sequences in this issue, as it and the dynamic layouts were the two best things about Kubert's artwork, with the action sequences being very explosive and exciting. I also really enjoyed the artwork from John Van Fleet during The Clown at Midnight issue, as it was simply stunning, and really helped with the telling of that unique story. I did however find his facial expressions to be a bit awkward at times though.

This story would feature the first appearance of Batman's son Damian Wayne, who would eventually become the fifth Robin. Damian was a character that grew on me over the years, as although I always enjoyed him, I used to find him slightly annoying. I am however happy to re-read his introduction now that I enjoy him as a character more, as his characteristic shines through more as the child that wants his fathers approval and respect rather than the annoying character he appeared when I first read this. I also loved the way that Damian wanted to assert his dominance in this story as well, as well as the interaction he would have with Batman, and the way Batman reacted to his sudden arrival.

This story would have an interlude that would feature the Joker called The Clown at Midnight. Now this short story stems back to the start of the book where Batman appeared to have shot the Joker in the face. This story would then see how Joker has managed to recover from this. The short story itself was very interesting, and one of the most unique ways of storytelling that I've seen in a comic book, as although a lot of people will feel that this isn't a proper comic book I enjoyed the uniqueness of it. I also felt that for a short story that it was very well paced, managing to have excitement and suspense at certain points. It was however still much overshadowed by the rest the main story.

The second half of this story would see Batman worrying over three ghosts of Batman, showing three different possible Batman, two of which have came to life with one being the Batman who shot the Joker, and another who resembles Bane. Now this part of the story wasn't as good as the first, as it would have been much better if Damian was involved. I did however still really enjoy it loving the mysterious nature as well as the way it caught the dark nature of Batman perfectly. I also enjoyed that we saw an injured Batman, as this reminds us how human he is, and that although he's very well prepared he can still make mistakes.

The last issue of this story would see a glimpse into a possible future seeing Damian as Batman. Now with the Damian: Son of Batman series out this month I was very interested in re-reading this, the original tale from Damian's possible future. The story itself was simply amazing being very unique and interesting, as well as being very exciting. I also loved the dark tone and how it played of the three ghosts storyline, being some what of a continuation of it. It was also a brilliant teaser leaving the question of whether this is the actual future or not, and what else Damian has done as Batman, something that I look forward to seeing in the upcoming Damian: Son of Batman series.

Final Verdict

This was a very interesting book that would change Batman's world forever, being the start of a seven year run from Morrison, as well as introducing Damian Wayne. The story itself was also very exciting and entertaining being very dramatic, and unique. It also had some marvellous interactions and one of the most unique interludes that I've ever seen. Due to all this I'd highly recommend this book, and especially if you've read the more resent stories in Morrison's run.

Rating: 10/10

The next Batman book I'll be reviewing will be Batman: Death and the City.

Batman Incorporated #13 Review

Writer: Grant Morrison
Artist: Chris Burnham

This has been one of my favourite series as of late, with Grant Morrison's Batman run being the best that I've read, and with this being the last issue I will be sad to see it end, and I will miss his amazing Batman stories (hopefully he may return some day).

Plot

Batman and Talia al Ghul finally square of against each other, with the fate of Gotham City in the balance.

Review

This was an amazing issue, and it was a terrific way to end the series. This may not have been quite how I expected the series to end (I expected something a little more spectacular), it was still brilliant, and Grant Morrison did a phenomenal job. He managed to add some fabulous action, whilst also adding symbolism, and emotion, which was brilliant. He also handled this issue in a perfect way, so as it's an obvious end to his run, whilst keeping the door open for future Bat tales, and overall was very appropriate considering the circumstances. Morrison also did an excellent job of revealing the remaining mysteries in this series, and I will seriously miss his work on the Caped Crusader.

Chris Burnham did a phenomenal job of the artwork on this issue, and he certainly kept his best to last, as although his art throughout the series has been amazing, this was something else. The detail in Burnham's art was simply outstanding, looking perfect all the way through, with his gritty tone suiting the story perfectly as usual. The action was also outstanding, being very dramatic, as well as dynamic, and exciting, with plenty of tone. Burnham also once again did an amazing job with the layouts of this issue, adding yet more drama, as well as depth, and tone, and was perfect for this final issue. It was also nice that Morrison did the art for this issues variant cover, as it was so appropriate considering it's the end of his run.

This issue was narrated in a unique, and appropriate way, being the memoir of Commisioner James Gordon. I found this to be a brilliant way of ending Morrison's run, as who besides possibly the Bat-Family knows Batman better that Commisoner Gordon? I found the dialogue between the two characters to be outstanding, having plenty of depth, and meaning, whilst also adding suspense, and drama, which was all perfect. I also loved how this left the question of what Batman, and Bruce Wayne's futures will be, having tons of symbolism behind it, which was very appropriate.

The big fight that has this series, along with the last Batman, Incorporated series, as well as Morrison's Batman run in general has been setting up finally happens, with former lovers Batman, and Talia Al Ghul squaring off. To be honest there was no other way to end this series, especially considering the events that have happened during this series, and I'm glad Morrison didn't hold back. Besides this the fight itself was outstanding, as although it may not be the best fight of the series, it was perfect for this issue. I did however question why Batman kissed Talia, as although they have history I would have thought that would have meant nothing after her having Damian killed.

The mystery woman who was shown during last issue was also revealed in this issue, though I won't reveal who it was as to avoid spoilers. I will however say that her timing in this story couldn't have been better, adding yet more drama, and atmosphere to the issue. I also loved the shock on Batman's face, as well as the overall tone off her appearance, and hope that this will have some development in another series, as it'd be a bit of a waste otherwise.

Final Verdict

This was a fantastic issue, and the perfect way to end the series, as although it may not have been as shocking as I expected, it had the right tone, and atmosphere that this issue needed. It also had some great action, and dialogue, as well as some brilliant symbolism, and I will sadly miss seeing Morrison work on Batman, though great things must end. Due to all this I'd highly recommend this issue, as whether you've been following this series, or enjoyed a few stories from Morrison's run, it's worth seeing how it ended.

Rating: 5/5

All Star Superman Review

Writer: Grant Morrison
Artist: Frank Quitely

After watching Man of Steel a few weeks ago I have been in a huge Superman mood going through some of my favourite stories of the Man of Tomorrow as well as trying some that I haven't already read. This however is probably my favourite Superman story of all time, as I always enjoy reading it.

Plot

After saving Leo Quintum and his crew whilst on a mission to explore the sun, Superman is exposed to too much radiation, giving him new powers, whilst also slowly killing him. Superman then goes on the quest to put the Earth in a position where it can survive without him.

Review

This was simply a phenomenal story, and easily one of the best Superman stories of all time, and my personal favourite. Grant Morrison has done such a great job of telling this wonderful story, that shows Superman at his most weakest point, knowing that he's going to die. This itself is risky, as to have the reader know from the first issue that the main character is going to die isn't easy to follow on from, especially when you have a further eleven issues to go, but Morrison does a good job of this. Besides this Morrison takes some of the most well known Superman tales, and concepts, making them his own by telling some fabulous mini-stories, whilst ultimately developing towards the conclusion of the main story. Morrison also handled the emotion perfectly, as well as the characters, the action, and the relationships, especially the relationship between Lois Lane, and Superman.

This story had the amazing Frank Quitely doing the artwork, which was truly outstanding. Now Quitely's art isn't for everyone, and I initially wasn't a fan, but have since grown to love his quirky, unique style. His art in this story's simply amazing, and is superbly detailed, with next to no imperfections. The layout of Quitely's art is also brilliant, adding a lot more depth to the story, as well as adding some more drama as well. What I loved most about Quitely's art however was how he drew Clark, and Superman so different, with Clark looking out of shape, as well as his usual clumsy self, which made his guise seem more believable. Quitely also did a great job of showing the character's emotions with it being easy to tell what the character's feeling, as well as explosive action, which was very exciting and dramatic. The inking, and colouring from Jamie Grant was also amazing, making the art feel whole.

This story would feature a group named P.R.O.J.E.C.T. run by it's director, Leo Quintum which experiment to find new discoveries, ultimately hoping to create a replacement for Superman. I found this an interesting addition to the story, as with a group that's goal is to find a replacement for Superman, it's appropriate for a story where he's dying. I also loved how Leo interacted with Superman, and how he wasn't afraid to go into dangerous positions. I also found his assistant Agatha to be very interesting, and the entire concept was brilliant, and worked perfectly in this story.

I already mentioned the fact that this story showed the relationship between Lois, and Superman, showing it more developed now that Superman knows of his upcoming demise. It also would show Superman give her a fabulous birthday present in a story that would also feature both Samson, and Atlas. Now I don't know much about either of these character's besides their mythological background, but I loved seeing them both fight over Lois along with Superman. The story itself was also very fun, and interesting, with some exciting, and explosive sequences. It was also nice to see Superman involved in a bit of fun leading up to his death.

The Superman Squad, a collection of Supermen from the future who send messages to others in the past. Now this wasn't the best part of this story, but there was a issue that dealt with Clark's earlier life, and his relationship with his father, Jonathan Kent. Now I won't go into any details as to avoid spoilers, but this was a very entertaining, and emotional issue, and I loved seeing the inexperienced Clark, along with his fateful dog, Krypto stand up to these future Supermen. To be honest the addition of Krypto was enough for me to enjoy that issue, as I love that dog.

Now I come to one of my favourite parts of this entire story, the issue set in Bizarro World. This was simply an amazing mini-story, and Morrison handled it perfectly. I especially loved the fact that there was a smart Bizarro in the form of Zibarro, who showed a lot of emotion, being an outcast in this world, much like Superman felt like on Earth. The Bizarro JLA were also very amusing, and I loved seeing them in their backward form. I also felt that Morrison handled Superman's actions during this perfectly, as they were very clever, and appropriate.

Now it's hard to forget the most used villain in Superman history, Lex Luthor, and Morrison doesn't do so here. Now Luthor may be over used, but I have to give props when he's used to the advantage of a story, and that's what he was in this. The interaction between both Luthor, and Superman, as well as Luthor, and Clark was brilliant, and exactly as I'd imagine they'd be. Luthor was also very conniving, and resourceful, and the fight between him and Superman at the end of this story was phenomenal, and truly a great last fight for this fabulous story.

Final Verdict

This is considered as one of the all time greatest Superman story ever, with a lot of people classing it as the best story ever, me included. Morrison gives a very emotional, and symbolic story, that shows Superman in his final days. It also had some fun, and interesting mini-stories, which fit perfectly into the main story. The action was also perfect, being exciting, and explosive, with great art from Quitely Due to all this I'd highly recommend this story to anyone, whether you're a Superman fan or not, and if you are a Superman fan and haven't read this, then you certainly need to, as it is definitely amongst the best Superman stories ever.

Rating: 5/5

Batman Incorporated #12 Review

Writer: Grant Morrison
Artist: Chris Burnham

This has easily been one of my favourite series in the New 52, and this series has been a vast improvement over the previous Batman, Incorporated series. It has however had a few down points over the series, but overall it has been amazing, and looks to be the perfect way to end Grant Morrison's fantastic run on the character.

Plot

Batman now souped-up with Man-Bat formula takes the fight to Leviathan, and mainly The Heretic.

Review

This was a fantastic issue, and one of the best in the series so far. Although last issue was interesting it was nice to see Grant Morrison's story back in the limelight, and with the way issue 10 ended I was desperate to find out what happened next, and I wasn't disappointed. Morrison did a phenomenal job of showing Batman's rage, and fury, with the emotional Batman getting straight down to business. The action was also perfectly written, and due to Morrison getting straight into the action, it was exciting all the way through. The dialogue was also brilliant, and although there weren't many detailed discussions, it had perfect fighting dialogue. Morrison also did a great job of showing what the other character's were up to, as well as add yet more mystery, setting up next issues finale perfectly.

Chris Burnham returns to arts on this issue, and although he did a decent job writing the filler story in last issue, he's much more suited as an artist. The detail in Burnham's art is simply amazing, and his rough, and gritty style really suits the series, and especially this issue. The best part of Burnham's art in this issue was naturally the action sequences, which were simply outstanding, and although Morrison's script was perfect during the fight, it was Burnham's art that made it extraordinary, making the fight that much more exciting, and dramatic. the layout of Burnham's art was also superb, especially in the more mysterious sequences, adding ton's of suspense. Burnham also did a fantastic job of showing the character's emotions, and although Batman was the best example of this, the rest was also brilliant.

I've already talked a bit about the action, but felt that I'd go into a little more detail seems this was my favourite part of the issue. I will however avoid spoilers though, so don't worry about that. What was best about the action in this fight was that it had lot's of impact, and tone to it, giving a brilliant atmosphere. It also had plenty of emotion in it, on both sides, as you could see the rage, and determination for revenge in Batman's eyes, as well as a desire for victory from Heretic, to win his mother, Talia al Ghul's approval. It did however have to be good, as with it taking up most of the issue it would have really hurt the issue if this wasn't the case, but thankfully it wasn't.

Talking of Talia, she didn't really make much of an appearance, appearing at the start, as well as another couple of times for brief periods. Without going into details, as to avoid spoilers, the time she did appear was however brilliant, and very dramatic, as well as shocking. Another character who slightly shocked me in this issue was Knight (Beryl Hutchinson), who really showed her emotions towards Heretic over the former Knight's (Cyril Sheldrake) death, which added yet more drama to the issue, as well as more emotion.

Besides the fight the thing that interested me most in this issue had to be the mysterious woman who offered to help Batman Inc. Now I love mysteries, and with this story, as well as the series coming to an end what a better time. Both Morrison, and Burnham handled the mystery perfectly, showing the profile of the woman, without actually revealing her identity, which was smart. It also makes me question whether this is a person who has already featured in the series. It does appear however that Nightwing (Dick Grayson) knows the woman, recognising the voice, so this would indicate that she has a connection to Batman at least, if not Talia as well.

Final Verdict

This was a brilliant issue, and one of the best in the series so far. It had brilliant action, amazing dialogue, and some emotional sequences. It also had a hint of mystery, and sets up next issues finale perfectly. Due to all this I'd highly recommend this issue, as well as the series, which has been brilliant, and one of the best Batman stories in a while.

Rating: 5/5

Batman Incorporated #10 Review

Writer: Grant Morrison
Artists: Chris Burnham, Jason Masters & Andrei Bressan

This has been a series that I've really been enjoying, and more so in recent months. Although it's not always been consistently outstanding, it's always been good (apart from issue 0), and I'll be slightly sad when Grant Morrison's fabulous run on the Caped Crusader comes to an end.

Plot

Batman is a wanted man in Gotham City, so he goes to Azrael for help in his war, as well as going to drastic measures to get his revenge. Also Talia al Ghul visits her dad, Ra's al Ghul.

Review

This was a brilliant issue, and although not quite as good as the very emotional last issue, it's still amazing, and the end of Grant Morrison's run seems to be shaping up nicely. Morrison has been one of my favourite Batman writers over the last few years, and he continues to show how good a writer he is again. The way he's managed to keep Batman calm and collected in this issue has been brilliant, as although it's still obvious that he's upset about the death of his son Damian Wayne, he's managing to do things that need to be done to get his revenge, and in a way that's not too aggressive, still being thought out perfectly. I also loved how he continued the entire story, and how finally it's moved to a different scenery, as although the huge fight that claimed Damian's life was brilliant, needing a fair few issues to build the suspense, and drama, it's nice that it's finally moved on. This issue was however slightly slow at points, as with Batman focusing, and preparing for the endgame it doesn't give as much excitement, or action, but that's actually a nice thing, as the last few issues of the series are bound to be explosive. Morrison's also done a wonderful job of showing Talia's emotions to this, as although there isn't many, they are shown, and seeing her in morning black was interesting, but I'll talk a little more on that later.

I've really enjoyed Chris Burnham's art on this series, and although I wasn't a fan of his art on the original Batman, Incorporated series, it's really grown on me, and he continues to show why his arts so good in this issue. The best thing about Burnham's art is that it's very gritty, and rough, and that really suits this style of series, making it more darker, and moody. The layout of Burnham's art was also brilliant, adding more drama to the issue, which was nice. I also love how Burnham's artwork has a lot of depth to it, which makes it also more dynamic, also giving yet more drama. There was however one part of Burnham's art that confused, and annoyed me, and that was whilst Batman was talking to Azrael, as he appeared to be smiling at one point, and then awful serious the next, and whether this was meant or not it just felt strange. I know that Batman was trying to make Azrael feel better with himself, but I just can't see him being happy any time soon, due to Damian's death. The additional artwork from Jason Masters, and Andrei Bressan was also good, and although not as good as Burnham's art it was still decent. Master's art which has been featured in the last few issue was however the better of the two.

This issue saw Batman as a fugitive, which was interesting. With Talia being the ultimate terrorist Gotham has to do as she says, so the Gotham City Police Department is after Batman, smashing the Bat-Signal. Batman has been a wanted man a couple of times in the past, with War Games being the most recent, and more memorable times, but it was interesting to see it again. What I loved most though was the symbolism of breaking the Bat-Signal, as it showed the extent that things have gone to. I also loved how Commissioner James Gordon hung his head in shame, not happy about what he's doing.

This issue started with Batman visiting Azrael. Now although I'm not the biggest Azrael fan he has played a big part in Batman in the past, so seeing him return was nice. I also found the conversation he had with Batman interesting, and the fact that Batman had a dream of Damian putting the world into ruin couldn't be now that he's dead. I liked this as it shows that the 666 future that was prophesied way back in Batman #666 (continued in Batman #700, and Batman, Incorporated #5) should still happen, which begs the question who is the future Damian? I've always thought it'd be a clone, and hold to that thought.

Talia also went to visit he father Ra's in this issue, which was very interesting. I personally haven't seen Ra's in anything since he featured in Red Robin, so it was nice to see him featured in this issue, especially considering the story, and the fact that this is the first appearance of Ra's in the New 52 (as far as I know). The conversation itself was very interesting, but it was the symbolism in the chess game that Ra's was playing that caught my attention the most, as with the Black Knight attacking the Red Queen, it symbolises Batman's revenge over Talia. The words that Morrison chose for the conversation were also brilliant, as they showed both Talia, and Ra's characteristics, as well as making it dramatic.

This issue also saw Bruce go to Lucius Fox to acquire some tech. I won't go into any details about what Batman actually acquired, as to avoid spoilers, but I will talk about the tone of the sequence, as well as my overall feelings. It was nice that Lucius was added to this issue, as despite getting him ready for his fight against Talia, with the absence of Alfred he needs someone to confide in. I also found it interesting that Bruce managed to keep things normal, as with Lucius not knowing of Damian's death he has to keep a strong act, and it showed some very light humour in Batman's darkest hour. The tech that Lucius showed him was brilliant, and although it looked like similar stuff that's featured in the past, the way Batman would put it to use was very interesting.

WARNING: SPOILERS AHEAD!

Now if you've seen the gatefold cover this won't be a huge spoiler, but I thought I'd warn you anyway. This issue also featured Dr. Kirk Langstrom who got broke into by the police whilst working on a Man-Bat antidote. Now the big question I ask is where this comes in with the events of Detective Comics #19, as it appeared that them events took place after Talia started using the Man-Bat formula, but it would appear that this may take place after Detective Comics #19. Either way, apart from the confusuion this was interesting, and the more interesting thing was that Batman would go to the lengths of turning himself into a Man-Bat to beat Talia. Now the only thing I didn't like about this as well as most of this weeks New 52 issues is that the gatefold covers have been spoiling the endings of the issues, and although I liked the concept, I'd have preferred the surprise.

Final Verdict

This was a terrific issue, and although the pace has been slowed down a bit, the endgame to Morrison's Batman run looks to be heating up, and the shock, and interest of this issue has me real excited for the final few issues. I would highly recommend this as well as the entire series, as although not Morrison's best Batman story, it has been a brilliant one to end his run.

Rating: 4/5

Batman Incorporated #9 Review

Writer: Grant Morrison
Artists: Chris Burnham & Jason Masters

This has been a very good series, and I've really been enjoying what Grant Morrison's been doing with the series, and have found it much better than the previous Batman, Incorporated series. It's not always been brilliant, but it has been good, and after recent shocking events (not too shocking it was on the cover) I was really looking forward to this issue.

Plot

Batman (Bruce Wayne) and Nightwing (Dick Grayson) battle The Heretic, and Bruce buries his son, Damian Wayne.

Review

This was a brilliant issue and a fitting follow-up to the death of Damian in the previous issue, with Batman and Robin #18 being the only Requiem issue that was better, and more moving. Grant Morrison has done a marvellous job of this series, and I for one have loved all his work on the Caped Crusade (obviously some better than others), and I've always felt that his best work has came out of the Damian Wayne character, even though now he's dead, which although sad, it does make for a good, dramatic story. What I liked most about Morrison's writing in this issue was how it jumped back and forward between the end of the previous issue, and the funeral of Damian, and it almost felt that the sequences that were just after Damian's death were triggered memories, and I liked that. I've not always liked it when Morrison's done similar to this in the past, but I did this time. The emotion throughout this issue was also brilliant, and whether it was the funeral sequence, or the fight against the Heretic, you could easily see how upset, and angry Batman is, and you can't blame him, as he's not just lost a member of the Bat-Family, he's lost his son, and Morrison showed this in his writing brilliantly.

The art from Chris Burnham was once again brilliant, and I've loved his art throughout this series. As I've said before, I never actually enjoyed Burnham's art that much on the previous Batman Inc. series, but since seeing it in this series I have loved it, feeling that it really suits the tone of the book. This could easily be due to it being a new series, or it could be that I like the way he drew Damian, but I have loved it, and I'm glad he's continuing to work on this series. I really think that Burnham's unique, rough style has been what makes the art so good, and I've also loved how it's made the series much darker, but also lighter when it needs to be. I've also liked how Burnham hasn't been afraid to go all out when it comes to the violence, as it's bloody, and gory, and really adds even more darkness to the issue, and this type of issue needs darkness, as it helps show the emotions. I did however think that some of his art in this issue looked a bit awkward like for instance, Batman shoves the tips of his fingers into the visor of Heretic's helmet, but due to the art it looks like it's the sleeves of his suit that's going in, and it isn't actually easy to notice that it's his hand, but besides that the art was brilliant. Jason Masters also did a good job on the four pages he drew, and although his art isn't as good as Burnham's, it's still better a lot of artists, and suited the sequences it featured in.

Damian's funeral was probably the best part about this issue, or at least in my opinion. I really felt the emotion coming from the characters, especially when Bruce, Dick, Alfred, and Tim Drake carried the coffin to the hole, as although he was battered and bruised you could see that nothing but the loss of his son was on his mind, and maybe also the thought of revenge. The other thing I liked about this sequence came in a later part, and that was when Bruce started to blame Alfred for letting Damian leave the Batcave, and even though Damian showed that he could have done it on his own, you can still kind of see how Alfred is to blame, even though he really isn't. I personally saw this coming, and I couldn't believe nothing happened between the two characters in Batman and Robin #18, but I think that was mainly due to Batman and Robin being a silent issue, and the fact that Peter J. Tomasi would have wanted to leave that for Morrison in this issue. I do however question why Alfred was still there in Batman and Robin, as Bruce told him to take a vacation (must have been a short one).

The fight between Batman and Heretic was also brilliant, and you couldn't half see the anger in Batman during this fight. I also found it interesting that Heretic had the brass to challenge Batman, saying boldly that he killed his son, and although this is a natural thing for Heretic to sat, especially considering his characteristics, I still found it shocking, and thought that it made the sequence more dramatic. I also found it interesting that Nightwing git involved in the fight, as although Heretic's much too big for one man to fight, I'd have thought he'd have gave Batman some space. At the same time you could say that Nightwing's emotions could be enough reason to want a piece of Heretic, plus the fact that Batman didn't exactly have the upper hand at this point. The fight overall was very entertaining, and although there were the odd problem art wise, it was much better than any of the fights from the last few issues. I also liked how during this fight that Damian's face was covered by his cape, giving some respect to the departed character.

WARNING: SMALL SPOILER IN NEXT PARAGRAPH!

It was also nice to see the aftermath of the death of the Knight (Cyril Sheldrake), as with everything that happened last issue, along with the fact that all these events have meant to have happened the same night hasn't given any chance to show the effects it has on the characters of this series, and more so Squire. I did however find it interesting that it showed the effect it had on the United Kingdom as a nation, as with Knight being their main superhero it would be a blow to them. It was also nice that he got a hero's death, and that the Prince William, and Harry attended. The part of this sequence that interested me the most however was the reaction to Squire, as she was awful upset, curled up on the sofa watching the news coverage on the TV, but then she decides to become Knight herself. This isn't a shock, and it actually makes sense, as after the first Knight's (Percy Sheldrake) death, his son Cyril (who at the time was Squire) became Knight, so it makes sense that now he's dead that the current Squire becomes Knight.

Talia al Ghul's reaction to the death of her son Damian was also showed in this issue, and although I won't go into massive detail as to avoid spoilers, I will say what I though about the sequence. I found what Talia had to say to the Heretic very interesting, and I also found it interesting that you get to see more characteristic come from Heretic during this sequence, as well as a awkward emotional response from Talia. Last issue we saw Talia kind of upset at the death of her son Damian, so I wonder how she'll cope with it in the long run, as although his death may have been for the greater good in her plan, she's still most likely going to be upset over the fact, and although I won't exactly how she reacted in this issue, I will say that I look forward to seeing her reaction throughout the rest of Morrison's run.

Final Verdict

This was a brilliant issue, and probably the most emotional Requiem issue bar Batman and Robin #18, and is also probably the best Requiem issue bar Batman and Robin #18. Morrison's run is almost near it's end, and he isn't half going out in a big way, and I hope he can keep as much excitement as this issue had throughout the remaining issues. I would easily recommend this issue to anyone, whether you want to get one of the better Requiem issues, or a fan of the series already, as it's a very emotional issue.

Rating: 5/5

JLA: American Dream Review

Writer: Grant Morrison
Artist: Howard Porter

Due to my new comics not arriving I went looking for something small to read and remembered that I had another two volumes from this series to read. Grant Morrison is one of my favourite writers, but unfortunately the first volume was slightly disappointing, and I hope the remainder of his run on this series proves otherwise.

Plot

The Justice League of America are opening up their ranks, and Professor Ivo, and T.O. Morrow take advantage of this by placing their android, Tomorrow Woman in the League. Also former angel Zauriel brings problems to the League, and Green Arrow's (Connor Hawke) initiation doesn't go to plan when The Key hatches his plan.

Review

This book had three stories in it, with the second setting up the third, so my review will talk about all of them. Overall the book was very good, but it still wasn't at the level I expected, and so far this series hasn't been one of Morrison's best. I have to admit however that after reading his brilliant Batman run, as well as his All Star Superman series, I have amounted high expectation towards any of his other work, and I shouldn't really, as not everything a writer writes will be outstanding. It wasn't all bad though, as I really enjoyed the second part of the story, seeing that as the best part of the book. The last part was also very interesting, but a little out of the ordinary, and the first part was too short for me to get into. Overall Morrison has done a very good job on this book, and although it's slightly inconsistent it shows creativity, something that you always see in Morrison's work, and I expect the rest of his run, or at least some of it to be brilliant.

As I said in my review for the last volume, I'm not overly familiar with Howard Porter artwork, but for some reason I prefer it this time round. It may just be that I've gotten used to it, but his art is much better in this volume, and it suits the story much more this time round. I do however think that there are still the odd panels that feel a bit awkward, and unappealing but overall it is much better. The art is still has a very dynamic, and bold feel to it, and it also continues to give a dramatic tone, but it's taken away some of the things I disliked, and made it overall more appealing. I especially liked how he drew Superman this time round, and I think that Superman's change to the all blue suit gave Porter more flexibility in his art. There was also from Oscar Jimenez in the last couple of issues, and although I preferred Porter's art this time round I preferred Jimenez' overall. It was much more realistic, and the style of art I prefer to see in artists. Like Porter's art it was also very dynamic, and full of detail. Overall there isn't much between Porter, and Jimenez' art, but it's just the style of Jimenez' that wins over for me.

Metamorpho's Funeral

The first volume saw the death of Metamorpho, and this one fittingly starts with his funeral. As I said in my review for volume one, I don't really know much about Metamorpho, so I wasn't upset at the character dying, but that didn't stop me from liking this sequence. I always like funeral sequences, as whether they're good, or bad, they're nearly always interesting, or exciting. The most recent funeral that I enjoyed was Professor X's in Uncanny Avengers #1, and although I was slightly upset at his passing, the funeral was still interesting. This funeral was actually one of my favourites, and for one key reason, that it talked about superhero's never staying dead. Death was even a common thing back when this story was released, and Morrison's dialogue, with the priest talking about superhero's never staying dead is exactly how it is. That's the reason I mainly hate comic book deaths, and that's why I liked the mention.

As I said earlier Superman is now in his blue and white containment suit which prevents his new electricity-based abilities from dispersing. Besides knowing the fact that he was in this suit, which was meant as a throwback to '63 Superman Red/Superman Blue comic, I don't know much about this time in Superman's life. I do however remember that it caused some friction in fans, but having not been a comic book collector back then it didn't really bother me. I personally think that it's a good thing for this series, as it makes you question if this is the real Superman. Having not read about Superman at the time I don't know what happens with the blue suit, apart from the fact it gets dropped, but I got the feeling that certain League members questioned this.

The rest of the first issue is about Professor Ivo, and T.O. Morrow creating an android to infiltrate the JLA. Although this was an interesting issue it didn't really have much appeal to me. I did however like that it showed the development of an A.I. machine, but besides that the one shot nature of the story didn't affect the book much. I may have enjoyed the story more if I picked it up at the time, but whilst reading it in this book it felt like filler. It was however a slightly interesting story, but nothing special.

Zauriel's Problem

The next story did however intrigue me. The next story dealt with a former angel named Zauriel who had been granted mortality, but was still being hunted by another angel named Asmodel. I found this story much interesting, as the character of Zauriel was interesting. I also liked the idea of angels causing that much damage over each other, and that human life doesn't hold as high a value to them as you'd think. I also loved how the story developed, and that it was full of action. I may have preferred this sheerly because of it lasting more than one issue, but I felt that it had more time to develop, which heightened my interest, and enjoyment. I also felt that this showed the JLA as a team more than either of the other stories, which I prefer in a team book. It was also interesting seeing the JLA in a position where they're not at full strength.

Elseworlds

The final story had an Elseworlds feel to it, with one of the issues actually being titled that. This was probably the most different type of story to feature in this book. Following straight after the Zauriel story the JLA are attacked by the Key, and the possible new member Green Arrow is the only one that can save them. Now I'm not that familiar with the Elseworlds style of stories, but I have read a couple, and they're basically like Marvel's What If...? series, changing certain aspects of the characters history. Where this one's different however is that it's only an hallucination, and not real, whereas the normal Elseworlds stories are in different universes. I found this probably the most interesting story, but I preferred the Zauriel story cause it was also full of action, and excitement. I also enjoyed seeing some of the changes, but the main thing I liked about the story was that Connor was left to save them. What a better way to join the team than to help save them, and with the overall theme of the book being new recruits it was nice to actually see one become a member.

Final Verdict

This was a very good book, but due to having three stories in it, it was slightly inconsistent. All the stories were however interesting, it was just that some were more exciting, and overall entertaining than others. I would however still recommend this book, as it was very unique and interesting, and like most of Morrison's stories full of imagination.

Rating: 4/5

JLA: New World Order Review

Writer: Grant Morrison
Artist: Howard Porter

I have had this book along with the following two volumes (American Dreams, and Rock of Ages) sitting on my bookshelf, and haven't gotten round to reading them. I made a point of putting it in my graphic novel pile, and seems it's only four issues long I decided to read it before Superman: For Tomorrow, which was what I originally planned on reading next, but as I said this is only four issues long, whereas that is twelve.

Plot

A group of aliens collectively named Hyperclan have arrived on earth. Their goal is to change earth for the better, as they believe that it's inhabitants will destroy the planet, similar to what the inhabitants of their own planet did. The Justice League of America however see more than meets the eye, and believe that Hyperclan have bad intentions.

Review

This was a good book, but not quite as good as I'd have expected. I've been a fan of Grant Morrison for some time now, and have enjoyed most of his work, but mainly his run on Batman. His Action Comics run also started good, but has went a bit inconsistent of recently, and his All Star Superman series was also brilliant, so I always expect big things from him. Although I expected the same here, it was actually a very decent story to start a series, but still nothing brilliant. The story overall was a bit slow, but I kind of expect that from opening stories, but due to that it just felt a bit dull. It did however pick up pace in the last issue, and a half, and was very exciting after that. The thing I liked most about Morrison's writing on this book was the interaction between the characters, but I'll talk more about that a little later. I do however think that the rest of Morrison's run on JLA will be brilliant, as this story did get very good, but just a little too late.

I'm not too familiar with Howard Porter's work so didn't know what to expect. Although it's far from the best artwork that I've seen, it was still good, and suited the story. To be honest it's the colouring by Pat Garrahy that I don't like in the artwork. To be fair I'm not a huge fan of colouring pre-2000. This is probably due to getting into comics after then, with lovely, realistic colours, but I can't quite enjoy the artwork as much. Besides that Porter's art is very good, and I love the dynamic feel it has. I also love how it's very bold at times, and that it feels very dramatic, and exciting. He also does a great job at action sequences, as they look amazing, and very spontaneous. I do however thing that the way he draws the characters is a bit too rough for my liking, but I have seen much worse artwork in the past.

Hyperclan

I'll move onto talking about the Hyperclan. The Hyperclan are a group of aliens that have arrived on earth, and have persuaded everyone (bar the JLA) that they are here to help. It is soon realized however that the JLA is right, and that these aliens aren't her with good intentions. Hyperclan weren't the best villain team that I've ever seen, and I won't be desperate to see them again (don't think they actually appear in anything after this), but they were interesting to a certain point, and different. I did however like that Morrison wrote these characters in a way that you want to hate the, or at least I hope that was his plan. They are very dislikeable characters, and although I personally like a villain you can actually like as a character, it's nice when there're ones you totally despise, as you should hate a good villain (at least sometimes). Without spoiling anything, I did however like the twist to these characters, and found their true goal interesting.

JLA

Now I'll move onto the JLA line-up. There were a few characters at the start of the book that I wasn't too familiar with, but I assumed they were minor League members (Metamorpho for one). Anyway, the main team consists of Superman, Batman, Wonder Woman, Flash (Wally West), Green Lantern (Kyle Rayner), Aquaman, and Martian Manhunter. As some of you may know I'm not the biggest fan of Martian Manhunter (I hope to become one with the current Justice League of America series), but he's been a part of the JLA for so long, being a part of every team up until this point, so he does kind of deserve the place. Besides that I was very happy with the line-up, as besides being a big fan of Batman, I also love all the other characters. It's also nice to see Kyle, and especially Wally (as he's not in the New 52 DC Universe). It was also nice to see the other two part of DC's big three Superman, and Wonder Woman, to be honest a JLA team ain't the same without them three (other part being Batman). I think Morrison did a great job with this team, and although due to (most of) them already being a team it shouldn't have taken as much time to introduce them.

Wally and Kyle

The interaction between Wally, and Kyle was probably the funniest thing in this story. It's no secret that Wally was friends with former Green Lantern, Hal Jordan, so it was natural for there to be some tension between himself, and his replacement. I also liked that Kyle was trying to fit in, seeing himself as not in the same "League" as the rest of the members (skill wise). Overall the interaction between all the members were brilliant, but besides this the other interaction that caught my interest was when Wonder Woman wen't to recruit Aquaman. I loved that Aquaman had the attitude that he no longer wants to be a team player, and is looking after himself, and the ocean. I also have to say that before the New 52 I wasn't a Aquaman fan, but now that I am I can enjoy the character in series like this a lot more, and Morrison actually did a good job of writing him anyway.

Batman to the Rescue

It always appears that Batman can find a way to win no mater what the circumstances. This story appears to be no different. Whilst trying to take the JLA out they believe they've killed Batman, but the ever tactical Dark Knight wasn't dead yet. In fact after the other JLA members were captured, or waylaid, Batman used his best friend, the shadows, and appeared to know Hyperclans secret. This is when the story really started to get interesting, as before that it was a bit dull, and it looked like a one sided fight. What I also liked about this is that the Hyperclan overlooked Batman, seeing him as nothing more than a human, with no superpowers, so he was no threat. Whereas if they actually knew anything about Batman they'd know that wasn't the case. Although he's not got superpowers, he has got a lot of skills, and is a master tactician, able to beat bigger opponents if needs be, and I was happy that this story showed that.

The fight between Hyperclan, and the JLA was awesome. If Batman's rescue was the most interesting thing in the book, the fight was the most exciting. It was marvelous, and Porter did a brilliant job on the artwork. I loved that it showed the potential of every member, giving each the opportunity to show of. It was however a shame that this was too little, too late, as the last third of the book was tremendous, but the rest was nothing more than mediocre. Hopefully this is only a taste of things to come, and that the rest of Morrison's run is better.

Final Verdict

This book had the potential to be phenomenal, but besides the last third of the book, it was generally mediocre. I would however still recommend it, as the last third was brilliant, and it was a fun read, but hopefully the other volumes are better.

Rating: 4/5

Batman Incorporated #8 Review

Writer: Grant Morrison

Artists: Chris Burnham & Jason Masters

WARNING: THERE WILL BE SPOILERS IN THIS REVIEW!

I usually try to avoid spoilers but due to the press coverage of this issue, which already spoiled what happens I thought that there wasn't much point tip toeing around the spoilers.

This has been a very good series and I have really enjoyed what Grant Morrison has been doing. Although not always brilliant the series has been very fun, with lots of suspense, and shock, and it's much better than the previous Batman, Incorporated series.

Plot

With Batman trapped in a safe underwater, and the remainder of Batman Inc. at the mercy of Leviathan Robin (Damian Wayne) comes to help out, and try to reason with his mother, but at what cost?

Review

As I said at the start of my review, this issue has been talked about out loud in the media over the last few days, and surprisingly the creators have been talking about the big surprise, which is unusual in comics as writers, and comic book companies like to keep there big surprises secret. As I said due to this my review will contain spoilers so this will be your last chance to stop reading without knowing the spoilers. I was both dreading and looking forward to this, as although I wasn't looking forward to seeing Damian die, I was interested in how Morrison would handle it. He did a very good job, but the issue overall wasn't quite as good as I'd hoped for. Like last issue Morrison had most of Batman Inc. involved in the story, and this didn't leave as much room for the fight between Damian and his brother The Heretic, but I'll talk more about that later. Besides that Morrison has done a brilliant job, and the story was very entertaining, and suspenseful, with ton's of emotion. H's starting to shape up the big finale to his Batman run, and he's showing that it's going to leave big changes in the Batverse.

Chris Burnham has continued to amaze me with his art on this series, and I'm very happy that he continued into this series. As people who have read my previous Batman Inc. reviews will know I initially wasn't keen on Burnham's art when he worked on the previous Batman Inc. series, but I have come to really enjoy, and appreciate it throughout this series, and am very happy that he's worked on it. His unique style really helps with certain sequences, and especially with the violence. Although there are a lot of artist who's work I enjoy, with a fair few of them being higher on my favourite artist list I don't think any of them would have given the same atmosphere to this series as Burnham has, which shows how much his style of artwork has influenced my thoughts of this series. The detail in Burnham's art is also fabulous, as he really shows a lot of detail throughout the series, let alone this issue. His cover is also brilliant, and I love the way he's taken Alex Ross' Batman R.I.P. cover from Batman #676 and made it his own. I also liked that it showed that it was Robin, but that it kept him in the shadows, only highlighting the yellow of his cape, parts of his face, and the R on his chest, all of which I really liked. It was also nice to see Jason Masters return to draw four pages in this issue, continuing the sequence he drew in the last issue. Master's art was still not quite perfect, but I much preferred it this time round, and wouldn't mind seeing it in another series in the future.

I was really happy to see Red Robin (Tim Drake) used a bit more in this issue, as although he's been involved throughout it's rarely taken time to focus on him. It was however the right time to have him featured more, as the issue has most of the former Robins involved, and it makes the issue feel more centered around them. I really liked the way he kept himself composed, and did the job at hand. At the same time he didn't feel quite the same character as I know. This is most likely due to it still being a small sequence which didn't give him a lot of time. It would have also been nice to see him have interaction with Damian, even if it was only a couple of lines/words.

I was however really happy to see Damian and Nightwing (Dick Grayson) interacting with each other one more time. I really enjoyed when the two characters were Batman and Robin during Morrison's Batman and Robin series, and have really missed them working together since. I also thought it was very nice that Damian acknowledged that Dick was his favourite partner. It's not usual to see feelings come out of Damian, but with this being probably his last chance it was nice to see. I also thought it was the right thing to have Damian think of Dick as his favourite partner, as Dick mentored Damian when his father was assumed dead (Batman R.I.P.), and Damian would have seen him as a role model, as well as a rival. Also the only other partner Damian had is his father Bruce, and with Bruce always worrying over both Damian's actions, and safety it would be a bit hard to work as a well oiled unit.

I'll move on to talk about Batman's struggle to escape the safe. It was interesting to see Batman featured less in the series for a second straight issue, and like last issue I think it was the right decision, as it gives more opportunity for the development of the story. Plus also with Batman out of the game it will make his sorrow over Damian's death even stronger as he will know that he could do nothing to save his son, and that he was to slow. The interaction from Talia al Ghul to Batman was also interesting, as it continued to show that she was doing whatever it took to move on from him, and the only way she could really do that is by destroying his life.

Another thing I was curious about was what's happening between The Hood, and Jason Todd? Last issue showed Hood turning on Todd (who was dressed as Wingman). I was looking forward to see the continuation of that, but it never happened in this issue. This was probably a good thing as it gave more time to develop the events that happened in this issue, as having already thought that there wasn't enough time spent on Damian's death, having this would give even less time. I do however look forward to seeing the continuation of it sometime down the line, preferably next issue, or the latest the one after that.

Finally I've came to Damian's death. This is the spoiler that has been featured in articles on the internet over the last few days so I thought that I'd leave this till last. If anyone was going to kill Damian off it was right that Morrison was the man to do it, as having created Damian as a character it wouldn't be the same if someone else did it, especially when Morrison had supposedly created the character with the intention of killing him. Anyway I'll start with the fight between Damian, and his brother the Heretic. With the extra training and size the Heretic had an obvious advantage over Damian, and in a way that took away from the quality of the fight. It was also interesting that even with Dick fighting with him that the Heretic was still stronger. I did however find it interesting that Damian kept calling out for his mother, asking her to stop this, which showed that Damian wanted to save his mother, and that there may have been a slight bit of fear in him. I wasn't however overly happy with the way Damian died. Although it was very sudden, and believable it just didn't have the overall wow factor that I expected. I did however like the montage page showing Damian's final attempt in slaying the Heretic, as it showed both the determination in him at the start, and the realization of his fate at the end. I also liked that Damian didn't go down without a fight, as although he was at a massive disadvantage in size he still managed to show all his skill and determination. I also thought this sequence was drawn brilliantly by Burnham, and thought that the violence was even better than anything in this series before.

I will miss Damian now that he's gone, but hope that like most comic deaths that he will return, and look forward to seeing just how badly this affects Batman in the remaining 4 issues of this series.

Final Verdict

Although not the best issue in this series, or the best death in comic book history, this was still a very good book, and I for one am looking forward to seeing how this affects Batman. I would highly recommend this, and the rest of the series as it's a truly wonderful series.

Rating: 4/5

Batman Incorporated #7 Review

Writer: Grant Morrison

Artists: Chris Burnham & Jason Masters

I initially decided to skip reviewing this issue, but after hearing that issue 8 would have a major change (the specifics were spoiled in an article online) I decided I'd go back to review it. Overall I have really enjoyed this series, and it's been a huge improvement over the original series, which although good wasn't startling, and had a very different style than most Batman series'.

Plot

With Knight dead and Batman captured, Batman Inc. is at a serious disadvantage over Leviathan, who are now using children in their army.

Review

Although this was still a very good issue it was however one of the poorer issues in the series. Ever since I bought Batman R.I.P. I noticed that Grant Morrison was able to write the Caped Crusader brilliantly, and have since acquired all his work on Batman, whether in comic form or graphic novel (think I have all his works in comics since Batman and Son). Morrison will go down as one of my favourite writers of the character, and when the time comes I will be sad to see him leave the character, but it had to end sometime. Like he's done with the rest of the series Morrison has kept this issue very interesting, and suspenseful. However in doing this he has let things slip away slightly, as with everything happening at the same time the issue feels slightly over the place. I did however love the emotion he has added to this issue, and overall he is brilliant at showing the characters for who they are emotionally, and symbolically. With the issue focusing on so many aspects of the story it did drag on slightly, and I think the development would have been better if it focused on less characters. It was however still very enjoyable, and suspenseful.

I've really loved the art in this series, and Chris Burnham continues to amaze me. Initially back when Burnham joined the original Batman Inc. series I wasn't too keen on his art, but after seeing it more often, and in a better series/story I've started to really enjoy it, and his unique quirky style really suits the series. His art in some ways reminds me of Frank Quitely who worked on Morrison's All Star Superman series, and gives a similar atmosphere as well. I also really enjoy Burnham's attention to detail, and some of the action sequences are wonderful to look at. Burnham also shows the characters emotions excellently, and especially with the deranged Leviathan children. The panel that I especially liked in this issue was on page 18, with all of Robin's (Damian Wayne) pets (Alfred, Titus, and Bat-Cow) together. I don't understand why it the series has needed a different artist for no more than a few pages each issue for the last few issues. However Jason Masters did do a good job on the art for three pages of this issue. It wasn't however as good as Burnham's art, and at times felt a bit still, and awkward. Although I don't see the point of an extra artist for three pages it was however nice to see Master's art shown in this issue, and I wouldn't mind reading something with it in the future.

Last issue showed that this series is about to hit a new level that will affect Batman Inc., and the future of the Batverse drastically. The Knight died, and it showed that the war against Leviathan would involve casualties. Knight and Squire have appeared in a lot of Morrison's work, and with Morrison actually creating this version of Knight and Squire it was a shock to see him kill Knight. If anyone was to do this it should have been Morrison, and at the end of the day there needed to be at least one death from Batman Inc. to show just how far Talia al Ghul has pushed Batman. Although I'd be lying if I said that I was a huge fan of the Knight character, but I was still shocked, and a little upset to see him killed off. It did however lead for some emotional sequences in this issue, especially the one between Squire and Nightwing (Dick Grayson).

In continuing with my previous paragraph I though I'd talk about the rest of the damage inflicted upon Batman Inc. The way Morrison portrayed the damage was very interesting, and showed that it's not always rosy for the good guys. Right from the start it's noticeable that the members of Batman Inc. are broken, and with their leader being out of the picture it would drop their morale even more. I always find it unrealistic when the good guys always win, mostly without any effort, and although it's always right to show that good rules out, it's not as easy as other stories show it as, so it was nice ti see Leviathan on top, even though I want Batman Inc. to win the overall war.

Damian is still stuck in the Batcave during this issue, and to be honest I think that this was the best place for him to be at this stage of the story. Damian being at the cave gave the perfect opportunity to develop his side of the story a little more, giving him time to think over his mothers scheme. It also gives Damian some time to interact with Alfred the butler, and Alfred his new cat, which I thought was very nice. Damian also tells Afred (butler) about a secret of his mothers. I won't go into details to avoid spoiling it, and although it's been a month since this issue was out I wouldn't want to spoil it for anyone who hasn't read it. I will however say that it was an interesting discovery, and should add an interesting sequence later in the series.

Leviathan having children in their army was also a shock. It is shown on the cover of the issue, so it wasn't a total shock, and due to this I felt that me talking about it wouldn't really spoil much. Leviathan using children adds another angle to an already brilliant story, and it gives yet another obstacle for Batman Inc., as they would find it difficult to even consider attacking children. I for one will be looking forward to this continuing into the next issue, and seeing whether Batman Inc. fights back or not.

Batman was absent for most of this issue, and although it was strange not seeing him around it was nice for a change. It also gave more time to show how the rest of Batman Inc. was coping after his kidnapping, and Knights death. The few pages that Batman was in was interesting, and if the series hadn't showed it before now this issue showed that Talia had given up on any future between the two of them.

With the way this issue ended, and the articles around the internet regarding the next issue I'm really looking forward to seeing what happens next, and how much it will effect the rest of the Batman titles.

Final Verdict

This may not be the best issue in the series, but it;s still a very good issue, and sets up the next issue nicely. I would still highly recommend both this issue, and the series, and am looking forward to reading the next issue.

Rating: 4/5