Harley Quinn #3 Review

Writers: Amanda Conner & Jimmy Palmiotti
Artist: Chad Hardin

What will Harley get up to on Valentines Day? Read on to find out.

The official description from DC Comics:

It's Valentine's Day, and Harley is getting depressed watching happy couples walk by. Will a special gift from Poison Ivy turn things around for Harley?

So far Harley Quinn has been a very fun series, giving the kind of energetic alternative that the New 52 has needed for a while. Due to this it' the perfect series to tell a Valentine's story during, and given Harley's recent experience with heartbreak there is a lot of possible ways this story could have gone.

Amanda Conner and Jimmy Palmiotti give us a simple yet another amazing one-shot story, with these quick tales being enjoyable to read. There is however a small part of me that wishes that there'd be more of a continuous structure, as despite there being the continuous threat of the bounty that's on Harley's head, it appears to be quite random. Though in saying that this is rather fitting for Harley. Conner and Palmiotti also utilised the Valantine's theme perfectly, utilising Poison Ivy's cameo from last issue in a subtle yet effective way.

Chad Hardin's art on this series has been simply amazing and one of the things that I've enjoyed the most. The sheer detail of Hardin's art is simply wonderful, with his unique and smooth flowing layouts giving depth and tone to this quirky story. Hardin also showed the emotion and excitement in this issue perfectly as well, with both the characters facial expressions and the action giving some definition. Combine all this with the splendid colours from Alex Sinclair and this is a comic that visually should please everyone.

A fun Valentine's story that'll appeal to any Harley Quinn fan with it also having it's usual lively tone. Highly recommended.

Rating: 9/10

Batman #28 Review

Writers: Scott Snyder & James Tynion IV

Artist: Dustin Nguyen

Who is Bluebird? Read on to find out.

The official description from DC Comics:

A new story that flashes forward to the upcoming weekly series BATMAN ETERNAL! This special issue, written by Scott Snyder and James Tynion with art and cover by Dustin Nguyen, will provide a peek at 

what's to come in the weekly series, with glimpses at some key characters in the series.

Zero Year has been a terrific story so far, but in saying that it's nice to get a break from this long story. And what better way than by getting a sneak peak into the Batman event of the year: Batman Eternal?

Scott Snyder and James Tynion IV give us yet another Harper Row centred story, with her now being a part of the Bat-Family as Bluebird. This was inevitability, and the fact she's now Batman's official partner only strengthened her as a character. Added to this the fact that she's her own unique hero, alongside her fantastically designed costume and I for one look forward to seeing more of this new Dynamic Duo. The story itself also had a lot of suspense and drama, but besides Bluebird's revelation it'd be the shock ending that'd catch my attention the most in this issue.

Well known Batman artist Dustin Nguyen took over art duties for this issue to allow Greg Capullo more time to work on the next part of Zero Year. Now I've always enjoyed Nguyen's Batman art, as despite some of his other work being less appealing he usually delivers on Batman. This was no different here, with his style giving a dark and intense tone, whilst his layouts gives some structure and impact. Nguyen also adds yet more intensity through the facial expressions, which also give a realistic tone to the interactions.

This glimpse into Batman: Eternal is nothing but a big tease, and if nothing else will make you want to give this issue a try the shocking ending certainly will.

Rating: 10/10

Batman: Joker's Daughter (One-Shot) Review

Writer: Marguerite Bennett

Artist: Meghan Hetrick

Is "Daughter" like Father? Read on to find out.

The official description from DC Comics:

Who is The Joker's Daughter? What horrors lurk in the mind of this deranged lunatic, and why is there more to her than meets the eye? More than just a crazy person who stumbled upon The Joker's face, more than just a woman with a mission, The Joker's Daughter sees herself as a woman on the path of greed, dominance and lordship over the Gotham Underground. This special issue tells a sordid tale in the life of one of DC's most popular new villains!

I've been avoiding reading anything Joker's Daughter, as despite the Joker connection drawing me in, the fact the character was being written by Ann Nocenti put me off. Thankfully however Batman Annual #2 writer Marguerite Bennett wrote the script for this issue so I could finally check this character out.

Marguerite Bennett has proven to be a very talented new writer, having done a terrific job of both the Batgirl Zero Year tie-in and Batman Annual #2. Bennett's storytelling was probably the best part of this issue, with the monologue from Joker's Daughter adding a lot of depth to the story. Bennett also showed how unlike fellow Joker worshiper Harley Quinn, this girl is much more disturbed, having a very mixed up sense of purpose. Added to this the brilliant pacing and intense character interaction and I'd gladly read more stories featuring Joker's Daughter, as long as Bennett was writing them.

Meghan Hetrick's artwork was also amazing, suiting the tone of Bennett's script perfectly. The detail of Hetrick's art was simply outstanding, being very consistent, having little to no imperfections. Hetrick's layouts were also very dynamic, giving a natural flow to the story as well as a lot of impact to the action sequences. Added to this the symbolic nature behind some of her layouts along with the realistic tone that the facial features add and I'd be very happy read more comics featuring Hetrick's artwork.

Joker's Daughter is a refreshing alternative to the usual Batman stories, giving a nice introduction for people who're trying the character for the first time. Highly recommended.

Rating: 9/10

Forever Evil #5 Review

Writer: Geoff Johns

Artist: David Finch

Can Batman and Lex Luthor get along for the greater good? Read on to find out.

The official description from DC Comics:

With everything to lose, Lex Luthor and his Injustice League raid the stronghold of the Crime Syndicate with consequences so devastating, the DC Universe will never be the same!

I feel very much like a broken record when it comes to talking about Forever Evil, as despite it always being good it has yet to transcend into the category of greatness. This however isn't a bad thing and the fact that the series remains strong is what really matters.

Geoff Johns has really started to give some great developments over the last couple of issues, and the series is definitely starting to show promise for further progression. What I loved most about Johns' writing in this particular issue was how he handled the interaction between Lex Luthor and Batman, with the attempted coexistence being extremely entertaining. There is also some amazing action and suspenseful build-up throughout, all of which adds to the overall quality. Added to that the defining notion that even on the side of good, evil still rules and the series' concept just becomes better and better.

David Finch's artwork throughout this series has been nothing short of wonderful, and it continues to amaze me yet again. The terrific layouts along with the dynamic action make this a breathtaking issue, which is both exhilarating and intense. Finch also adds a lot of depth and tone through the facial expressions, with his art helping to increase the tension during the Batman/Luthor interaction. Added to this the brilliant inks by Richard Friend and outstanding colours from Sonia Oback and the final finish to this issue is simply astonishing.

Forever Evil continues to be a success and with the dramatic dialogue and explosive action this is a series that everyone will enjoy. Highly recommended.

Rating: 8/10

Harley Quinn #2 Review

Writers: Amanda Conner & Jimmy Palimotti
Artists: Chad Hardin & Stephanie Roux

What will Harley do when faced with saving the lives of unwanted pets? Read on to find out.

The official description from DC Comics:

Harley and guest star Poison Ivy set out to rescue a bunch of cute puppies and kitties! What could possibly go wrong?

So far Harley Quinn has been a terrific series, being the kind of quirky and vibrant addition that the New 52 has needed since it's launch. It is however still in it's early days, making it slightly hard to decide exactly how to judge the series.

Amanda Conner and Jimmy Palmiotti did however up their game with this issue, as although the subject matter itself wasn't overly interesting, the fun and energetic nature of the issue made it amazing. Conner and Palmiotti also showed Harley's nature perfectly, showing that despite her playful attitude that she does have emotions and feelings towards certain living creatures. The addition of Poison Ivy was also much appreciated, as despite it not being overall necessary for the story, it was nice to see these two friends team-up again.

The artwork in this issue was shared between regular artist Chad Hardin and Stephanie Roux. Now I could probably separate the two artists work out, but the similarities in style make the transition nearly unnoticeable. Alex Sincalair may have had a hand in this with his colours creating a great tone and consistency for the issue, helping the transition to feel more smooth. Hardin and Roux also did a great job with the layouts of this issue, with it having a very energetic and fun feel throughout, with some panels practically jumping off the page.

Harley Quinn continues to be a fantastic series, with it keeping the fun and energetic style that has made Harley such a well loved character. Highly recommended.

Rating: 9/10

Batman #27 Review

Writer: Scott Snyder
Artist: Greg Capullo

Will Batman survive his battle with the GCPD? Read on to find out.

The official description from DC Comics:

“ZERO YEAR” reaches an all-important crossroads as Batman and Jim Gordon try to turn the lights back on in Gotham City. This issue leads directly into the final arc of Zero Year, which begins here next month!

I have had mixed feelings over Zero Year, as with the first arc being immense I expected a lot from this second arc, which to be honest has overall felt like a filler before the third arc. It has however had some good moments, with the early relationship between James Gordon and Batman being very interesting at times.

Scott Snyder once again produces a very good script in this issue, as although I still feel like it's taking up time prior to Batman's big encounter with the Riddler, it's still very dramatic. Snyder also manages to time everything well, as it wouldn't have been easy to follow up from the epic action sequence at the start of the issue, but he managed to do it in a way that was both intriguing without the pace changing too dramatically. On top of this Snyder also did a great job of showing more of Gordon's background, and how his characteristics were ever so slightly different back then (whilst still being overall good natured).

Greg Capullo once again did a phenomenal job of the artwork, and is still one of the things I love the most about this series. Capullo lays out his art in a way that captures each moment perfectly, allowing for every panel to be in it's own way very dramatic. Added to this the explosive action sequences and the way he shows character emotion and it's hard to think of the series being as good without his artwork. Capullo also continues to add the perfect dark tone this series needs, having a brilliant silhouette moment. On top of all this the colours from FCO Plascencia were once again outstanding, giving the perfect finish to Capullo's fabulous art.

Zero Year continues to have a mixed affect on me, as despite my overall opinion being very positive, I question the necessity of the length. I do however still highly recommend this and can't wait to read more.

Rating: 8/10

Detective Comics #27 Review

Writers: Brad Meltzer, Gregg Hurwitz, Peter J. Tomasi, Francesco Francavilla, Mike Barr, John Layman and Scott Snyder
Artists: Bryan Hitch, Neal Adams, Ian Bertman, Francesco Francavilla, Guillem March, Jason Fabok and Sean Murphy

How will Batman’s 75th Anniversary fair? Read on to find out.

The official description from DC Comics:

DC Entertainment presents this mega-sized issue featuring an all-star roster of Batman creators past and present!

Don’t miss a modern-day retelling of The Dark Knight’s origin by the incredible team of writer Brad Meltzer and artist Bryan Hitch! Plus, all-new stories by Scott Snyder and Sean Murphy, Peter J. Tomasi and Guillem March, Paul Dini and Dustin Nguyen, Gregg Hurwitz and Neal Adams, new art by legendary Batman writer/artist Frank Miller and more!

Also in this issue, John Layman and Jason Fabok kick off the new storyline “GOTHTOPIA”! It’s a bright, shiny, happy place where dreams come true...as long as you don’t look at things too closely.

As far as mega-sized anniversary issues go, this was probably one of the best in recent years, and was certainly the most value for money having seven stories over 96 pages. The stories were however as expected rather inconsistent, though most were fitting for a celebratory issue.

The main story was “Gothtopia” written by regular Detective Comics writer John Layman with the artwork also coming from the usual artist Jason Fabok. Now the story itself was very interesting, taking a very different approach to the Batman mythos. It was however the mystery behind the story that interest me the most, with it having a “Nineteen Eighty-Four” feel to it. The artwork from Fabok was also as usual extremely impressive, having a lot of detail to it. The layout along with action sequences also impressed me, adding a lot of excitement and intensity to the story.

The other stories came from various creators including Scott Snyder and Sean Murphy, Brad Meltzer and Bryan Hitch, Gregg Hurwitz and Neal Adams, Peter J. Tomasi and Ian Bertman, Francesco Francavilla, and Mike Barr and Guillem March. All of these tales were be very impressive, with most actually being better than the main “Gothtopia” story. It was however the charm and retro feel of Hurwitz and Adam‘s “Old School” and the fitting birthday celebration in Tomasi and Bertman’s “Better Days” that impressed me the most, with both adding a lot to the overall feel.

Overall this was a very fitting tribute issue and well worth the money. The stories were all interesting and exciting with the main story “Gothtopia” being the perfect start to Layman and Fabok’s final arc. Highly recommended.

Rating: 8/10

Forever Evil #4 Review

Writer: Geoff Johns

Artist: David Finch

Will Forever Evil continue to be a strong event for DC? Read on to find out.

The official description from DC Comics:

It’s all-out chaos as the DC Universe continues its march through darkness! War erupts across the Earth between the villains! Allegiances are formed! Rivals are murdered! And at center stage it’s Lex Luthor versus Batman—and their fight couldn’t come at a worse time as Deathstroke’s Hunting Party closes in on the world’s only hope against the Crime Syndicate!

So far Forever Evil has been moving a little slowly in my opinion, as even though the series has consistently been brilliant, there hasn't been a huge lot of progression so far.

This would start to change slightly in this issue, as Geoff Johns starts to implement more interesting developments, utilising previous Justice League material perfectly. Johns would also continue to add a lot of suspense and drama in this issue, and with it still lacking ever so slightly in the development region this would be a much needed addition. Johns would also start to bring more of the big time players together in this issue, cultivating in some fantastic character interactions. On top of that Johns would continue to develop the Crime Syndicate perfectly and it should only be a matter of time before the series pays off big time.

David Finch would also do a fantastic job of the artwork in this issue, with his work in this issue possibly being his best yet. The detail in Finch’s artwork was simply outstanding, as despite the usual minor imperfection it would be very impactful. The best part of Finch’s art however had to be the layout, and especially during the sequence with Batman confronting Luthor, as the shadowy nature of Batman would add a lot of intensity to the sequence. The only main negativity I have with Finch’s art is with the cover, as though it was very good it felt slightly awkward.

Forever Evil is slowly starting to get closer to the quality of Trinity War and whether it tops Trinity War or not, it is looking to be yet another terrific event from DC.

Rating: 8/10

Harley Quinn #1 Review

Writers: Amanda Conner & Jimmy Palmiotti
Artist: Chad Hardin

Will this issue be as fun and wacky as the amazing zero issue? Read on to find out.

The official description from DC Comics:

Harley is set to begin her new life, but she needs a job first! Enter the Coney Island Roller Derby! It’s game time as Harley sets out to destroy her competition—literally!

The zero issue for this new series was simply phenomenal and easily one of the best zero issues ever. This issue however was a little different, though it had the same overall tone being just as crazy and wacky as the zero issue (if not more).

Amanda Conner and Jimmy Palmiotti did a terrific job of setting up a continuing storyline for Harley, whilst also managing to keep it fun and unique. I especially loved how Conner and Palmiotti have taken Harley out of the main DC Universe and given her some room to show her characteristics, as despite the fact it would probably be nice to see Harley interact with other DC characters, this gives more room to make the story even more unique. The issue was however overall not be quite as good as the zero issue, as despite the fun nature of the story, the pacing of the issue was very inconsistent. This is however the early stages of the series so it is expected to get minor quibbles like this.

Chad Hardin’s artwork is simply perfect for this series and although there may be better artists than him working for DC I doubt there is anyone that could have matched the tone of the story quite as well. The layout as well as the expressions on Harley’s face is what grabbed my attention the most in this issue, as it added a lot of intensity and impact to the issue visual wise. I also loved how Hardin showed the crazy nature of this series as well, as despite the script being the key thing that made this issue wacky, the art followed suit perfectly and I hope Hardin stays on this series for a long time.

Although this isn't quite as good as the zero issue, it is still fun and crazy, showing Harley at her best and I’d highly recommend picking it up.

Rating: 8/10

Batman #26 Review

Writer: Scott Snyder
Artist: Greg Capullo

Will Zero Year continue to be as awesome as it’s been so far? Read on to find out.

The official description from DC Comics:

ZERO YEAR continues! With Gotham City thrown into total chaos by The Riddler, Batman and Jim Gordon must learn to work together!

The first part of Zero Year involving the Red Hood Gang was simply astonishing, though it has been a bit slower as of late, though it ended on a brilliant cliffhanger with the last issue.

Scott Snyder continued from this cliffhanger brilliantly, though the issue itself was still lacking in areas, not being as exciting or explosive as the storyline was during the first part. Snyder did however do a great job of building up yet more hype and suspense in this issue, utilising one of Batman’s oldest villains, Doctor Death in an outstanding way. I also loved how Snyder answered the puzzling questions that last issue asked, whilst also showing a more intense side to the relationship between Bruce and Jim Gordon. It did however overall have too much set-up throughout the issue, which ultimately made it a little bit slower.

The artwork from Greg Capullo was however astonishing as usual, and was easily one of the best things about this issue. I loved the layout of Capullo’s art, as well as the immense detail that he adds, making this story feel all the more intense and suspenseful. I am however still not a huge fan of the change to Bruce’s look, as although it gives something a little more distinguishing for this younger Caped Crusader, it just doesn’t look right to me. This however is only personal taste, and nothing against Capullo’s art, as his work on Doctor Death and the action more than made up for this minor annoyance.

Zero Year appears to be slowing down a touch to set-up the big clash between Batman and the Riddler, and although this will probably pay off eventually it is slightly hurting the story the now. It is however still one of the better series out the now and it’s easy to recommend this issue.

Rating: 7/10

Harley Quinn #0 Review

Writers: Amanda Conner & Jimmy Palmiotti
Artists: Amanda Conner, Becky Cloonan, Tony Daniel, Stéphane Roux, Dan Panosian, Walter Simonson, Jim Lee, Bruce Timm, Charlie Adlard, Adam Hughes, Art Baltazar, Tradd Moore, Dave Johnson, Jeremy Roberts, Sam Kieth, Darwyn Cooke & Chad Hardin

This is a series that I've been looking forward to for some time now and the delay just made me even more excited for it's release, as Harley Quinn has really needed to feature in a good series for a while now, as although she's been used decently, the stories she's been in have been rather poor.

Plot

Harley Quinn searches for the right artist for her new series.

Review

This was a brilliant issue and one of the most unique zero issues that I've ever read. Due to this my review will be very short as most of what I can talk about is to do with the artists. As for the writers Amanda Conner and Jimmy Palmiotti did a terrific job of giving us a quirky and exciting zero issue which was very fun and crazy, taking the Harley Quinn tone to another level. The only small problem I have with this is that it doesn't give too much of a look into what the series may be, unless it's just going to become a completely crazy series, with random stuff happening. In saying that I haven't enjoyed a zero issue quite as much as I enjoyed this and if Conner and Palmiotti keep this style throughout the series it could very well become one of my favourites.

The artwork on this issue would be done by many different artists with writer Amanda Conner doing the first couple of pages with an array of artists doing the rest including, Becky Cloonan, Tony Daniel, Stéphane Roux, Dan Panosian, Walter Simonson, Jim Lee, Bruce Timm, Charlie Adlard, Adam Hughes, Art Baltazar, Tradd Moore, Dave Johnson, Jeremy Roberts, Sam Kieth, Darwyn Cooke, as well as the regular slated artist Chad Hardin. Now usually I'd have a problem with the class of styles, but due to the way the story would see Harley looking for the best artist it made the story very unique and interesting. Now artist wise I really enjoyed Lee and Hughes' artwork the most, and the fact that Harley's co-creator Bruce Timm featured was an other bonus. I was however not a huge fan on Baltazar, Kieth or Cooke's art feeling that it didn't suit Harley, and if it wan't for the story I would have probably enjoyed it less.

The other key feature of this issue would see Harley breaking the fourth wall and talking to the writers of the series knowing that this is a comic book (much like Deadpool used to do and sometimes still does). Now I loved this as it would give us something very unique, and the fact that Conner and Palmiotti would feature as characters would also make this even more entertaining. Now it would be revealed that the series wouldn't continue to break the fourth wall, and although I enjoyed this issue that is probably a good thing as it allows us to get some properly plotted stories from now on. Also if it continued like this issue it'd no longer be very unique and would soon become mundane.

Final Verdict

One of the most unique zero issues that I've ever read this was a brilliant introduction for new fans of Harley Quinn as well as a brilliant story for old fans. It would have an array of wonderful artists all vying for the job of drawing Harley on a regular basis with the tone being simply perfect for her character. Due to all this I'd highly recommend this issue and if the series continues with this tone it's bound to become a hit.

Rating: 9/10

Batman #25 Review

Writer: Scott Snyder

Artist: Greg Capullo

So far this series has been outstanding and easily one of my favourites and so far Zero Year has been an amazing series, and a brilliant retelling of Batman's early years, and if it keeps up this pace it could easily become one of Scott Snyder's best Batman stories yet.

Plot

As Gotham is in a blackout created by the Riddler a series of strange murders start happening, reintroducing an old villain in a new way.

Review

This was yet another brilliant issue in the Zero Year story, as although unlike last issue it didn't justify the price increase, it was still very enjoyable with Scott Snyder setting up the future of the story perfectly. Snyder would also do a brilliant job of adding a lot of suspense and drama to this issue, as although the events of the issue weren't quite what I hoped they'd be, having very little Batman appearances, it would still have a lot of tension and excitement throughout the issue. Snyder would also do an amazing job of keeping the same dark and sombre tone that the story has had so far, adding in some light when needed, as it gives the perfect vibe to these early years of the Dark Knight.

The artwork in this issue would also yet again be outstanding with Greg Capullo doing an amazing job. The detail in his artwork is simply spectacular as although I'm still not overly fond of the hair style to this younger Bruce Wayne, the detail itself is very consistent throughout the issue, with it being to a very high standard. The layouts from Capullo would also be fantastic, adding a lot of depth and drama to the issue, as well as helping to add more suspense. The overall tone of Capullo's artwork would also be amazing, with the overall dark and mysterious tone being perfect for this issue, especially given the fact that Batman himself doesn't have a huge role in this issue.

We'd get to see a new version of Batman's Batmobile in this issue, with this version being a modern take on an earlier model. The car itself was simply spectacular, as although nowhere near as awesome as some of his more classic Batmobile's, it was the simplicity and the odd bit of technological spectacle that made it brilliant. I also loved the racer like gear stick as well as the racer like steering wheel and the harness like seatbelt, all of which would give a more realistic feel to the Batmobile. On top of that the look itself was that much different from the classic look for a Batmobile that it made it feel like the first model that it is.

There would be a new villain introduced in this issue, and it would be none other than the first villain that Batman would ever face in the earlier comics, Doctor Death. Now I've never been a huge fan of Doctor Death, but the fact that he was the very first villain that Batman ever faced made his appearance in this story very fitting. I also loved the reaction from the Gotham City Police Department towards Doctor Death's actions and I am looking forward to seeing Batman square of against him later on in the story.

This issue would also see one of Batman's more well known villains feature, with Poison Ivy making a cameo appearance. Now this would be prior to her becoming Poison Ivy, being plain old Pamela Isley but the fact that she made an appearance was very interesting, as it was nice to once again see Poison Ivy prior to becoming a villain. I also liked the way that her addition was handled in this issue, as it would work perfectly along with the developments within this issue, and I hope that cause of this we'll get to see the transition into Poison Ivy during Zero Year.

Final Verdict

This was a fantastic issue and although the price increase didn't quite feel worth it, the issue was still amazing, setting up the future of the story perfectly. On top of that it would also have a lot of mystery and suspense as although Batman himself doesn't have a huge role in the issue, it would still be very dark and exciting. Due to all this I'd highly recommend this issue as well as the story so far, and if you're short of cash and can't get the story so far, this is a great jumping on point.

Rating: 8/10

Detective Comics #25 Review

Writer: John Layman

Artist: Jason Fabok

This has been a very strong series since John Layman and Jason Fabok took over as the creative team way back in issue 13 and with the announcement that they'll soon be leaving the series I'm slightly disheartened (even though it's a good team that's replacing them). It is however nice to see them have a Zero Year tie-in not long before they leave, and with the solicit it could turn out to be one of the best tie-ins.

Plot

James Gordon investigates a series of robberies/murders by the Black Mask gang, but soon finds out that half the Gotham City Police Department are on Roman Sionis' payroll.

Review

This was a fantastic issue and a terrific tie-in to Zero Year. John Layman once again produces a dramatic story with a lot of excitement and suspense, and with Batman only having a briefest appearance. Layman would also do a great job with the structuring and flow of this story, and I really enjoyed how he narrated the issue, and how Gordon would be the main focus throughout the entire issue. I could however not help but notice some similarities to the recent Batman: Arkham Origins video game, with Black Mask making an appearance in both as well as holographic crime scenes being mentioned in both. Now this could easily just be a coincidence, and even besides that the story would still be very exciting in it's own rights.

The artwork on this issue would also once again be amazing with Jason Fabok doing a spectacular job. The detail in Fabok's art would also be outstanding, and as usual would be very consistent throughout, and if there were any imperfection, they weren't easy to spot. The layout of Fabok's art would also once again add a lot of depth to the issue, as although they aren't as unique as some of the other artists that work for DC, they'd do a brilliant job of adding more drama and suspense. On top of that Fabok would also handle the action and emotion throughout this issue very well, as although there'd be the odd awkward facial expression, the action would be very exciting and explosive.

This issue would centre round Commissioner James Gordon who was only a Captain at the time. Now Gordon has been one of the most well known side characters in Batman over the years, and when you take away the villains as well Bat Family itself he is the most well known character left, so having him as the key character in this story was amazing. What would make this even better is the fact that this is set during the early years when the GCPD aren't working with Batman, as although we see Gordon share some of the same views as Batman it is clear that he's still seen as a criminal. We'd also see the determination that Gordon's always had, and it's no wonder he became Commissioner.

We'd also see a well known Batman villain in this story in the form of Roman Sionis, who's better known as the Black Mask. He'd also have his own gang known as the Black Mask Gang and would be at the centre of Gordon's investigation. Now I've already mentioned the connection between this and the Batman: Arkham Origins video game so won't say any more about that, but the addition of Sionis and his gang was a very interesting one, as although the similarities to the recent Red Hood Gang makes it feel slightly less creative, it would still make the issue very exciting, and shows a possible future for Black Mask.

Another thing that would be shown throughout this issue would be the corruption of the GCPD during that time period, something which I was very interested in seeing. I especially loved how this would make you question who out of the cops that were featured in the issue were crooked and who wasn't, as although there were some that were fairly obvious, there'd be a couple that'd be more questionable. I also liked how this would give yet another dimension to the story, as well as another sub-plot, with Gordon's reaction to this being very interesting as well.

Final Verdict

This was an amazing Zero Year tie-in as well as an outstanding James Gordon story. It would have a lot of drama and suspense, also being very exciting as well. It would also have a lot of depth as well, with some very intense sequences. Due to all this I'd highly recommend this issue, as although there haven't been many Zero Year tie-ins so far, this is one of the best so far.

Rating: 9/10

Action Comics #25 Review

Writer: Greg Pak
Artist: Aaron Kuder

I have been looking forward to the release of this issue for some time now, as with Greg Pak taking over writing duties I expect the series to sore back to the amazing quality it was when it started. Also the fact that it's a Zero Year tie-in has me even more excited.

Plot

After dealing with a group called the Supremacists, Superman heads to Gotham City to try and stop a storm.

Review

This was an astonishing issue and a brilliant start to Greg Pak's run on this series. Pak would do a great job of showing the young Superman, but what I loved most was that he had a slightly different tone compared to the Batman/Superman version that Pak has been writing, showing that it is the actions around him that affected his attitude in his younger years. I also loved how Pak managed to tie this in with the Zero Year story that's happening in Batman, as although there was a while I was thinking that this was a unnecessary tie-in, Pak would eventually manage to tie it in very nicely, making it feel slightly more connected the events of Zero Year.

The artwork on this issue would also be amazing, as although Aaron Kuder isn't the best artist to feature on this series, his art is still outstanding. The detail in Kuder's art would be very consistent, as although it wasn't spectacular, there weren't many imperfections. What I loved most about Kuder's artwork in this issue had to be the layouts, as although the ones from the preview pages are still the most exciting, the rest would also be very dynamic and unique The action in this issue would also be handled perfectly, and although you'd think that Superman beating baddies would be the most exciting part, it would turn out to be Superman's battle with the storm that would steal the show, and Kuder did an excellent job.

Not to far into this issue Superman would face a group called the Supremacists who have a plan that involves human sacrifice and fifth dimensional plasma gods. Now the group itself wasn't extremely interesting, but the fight between them and Superman was outstanding, being extremely exciting and entertaining. I also enjoyed how hard this fight was for Superman, as although it would prove to be relatively easy, he'd use more effort than he would've if it had taken place in the present day, with this showing just how far his strength has progressed over the years.

The main part of this issue however would see Superman try and stop a storm in Gotham City. Now you could easily say that this is a relatively coincidental way of making this story a tie-in to Zero Year, but the development itself would make the story not just a justifiable tie-in (even if unnecessary) but an exciting story in it's own right. I also loved the concept itself of Superman going up against the elements, and testing his abilities to the max. On top of that it would also be interesting to see just how naive this young Superman is, as it would make it much more interesting, and would show just how much he's progressed over the years.

This issue would also feature Lana Lang, in both the main story and the back-up story. Now I won't go into too much detail about Lana's appearance as to avoid spoilers, but I will say what I though of her appearance, as well as the possibility of her being a regular feature in the series. First off the interaction between Lana and Clark at the start of the issue would be very interesting, as although it wasn't anything spectacular it would give a building point for her appearance in the issue as a whole. I also like the idea of her becoming a regular feature in the series, even if it's only in small back-up stories, though if she does become a regular addition we'll need to see some interaction between her and Clark in the present.

Final Verdict

This was an outstanding start for Greg Pak who has once again proven just how well he knows the Superman character, producing an amazing story in the process. The issue would be exciting and suspenseful, also having a lot of depth. It would also be very dramatic and overall is the kind of Superman story that Action Comics deserves. Due to this I'd highly recommend this issue as it's a great opportunity for new fans and old to get into Superman.

Rating: 9/10

Forever Evil #3 Review

Writer: Geoff Johns

Artist: David Finch

Although it hasn't been as astonishing as Trinity War was, Forever Evil has been a very exciting and entertaining series, being the perfect continuation to Trinity War, as well as being a brilliant event in itself, re-introducing the Crime Syndicate in a big way.

Plot

As Batman and Catwoman take Cyborg to get help, Lex Luthor with Bizarro's help finds the location of Ultraman and sees his fight with Black Adam.

Review

This was yet another fantastic issue, and although the series has been progressing slowly, it continues to be very exciting. Geoff Johns once again did a terrific job of developing this story involving the Crime Syndicate, as although I'd have hoped for a little more development by now, he is still doing an amazing job of keeping the story entertaining, and the set-up in this issue has me excited for the next. I also loved how Johns managed to have most of the developments within this issue flow into each other, as it makes the development in the event so far feel more connected. The character interaction and action in this issue would also be fantastic, adding a lot of drama and excitement to the issue, as well as more depth.

The artwork on this issue would also yet again be brilliant, as although there was a couple of things that annoyed me, overall David Finch produced some fantastic art. The detail throughout would be mostly consistent, as although there were minor imperfections, there weren't many, though a couple of them were rather jarring to look at. The layout on the other hand would be perfect throughout, adding a lot of depth and tone to the issue, as well as making it a bit more intense at times. The action sequences would also be amazing, though the Ultraman/Black Adam sequence would have couple of awkward panel that let it down a bit.

This issue would start with Batman and Catwoman taking the remains of Cyborg to his father Silas Stone in the hopes that he can once again save his son. This however wouldn't be the part of the sequence that would interest me the most, as that would go to Batman learning that the Crime Syndicate have revealed Nightwing's (Dick Grayson) identity, having me excited for the future development of this. I also enjoyed the interaction that Catwoman would have in this sequence as it would lighten the tone slightly.

Lex Luthor would also continue with his plans against the Crime Syndicate getting Bizarro to help him get one of his satellites back in working order. Now this sequence didn't do a lot for the story besides set-up the next sequence brilliantly, as well as the last part of Luthor's appearance setting up the next issue. I did however enjoyed the interaction between Luthor and Bizarro and how Luthor's tone would change every now and then to get Bizarro to do what he wanted. This interaction would also add a lot of entertainment as fin to the issue as well.

We'd also get to see the continuation of the Ultraman/Black Adam fight that started in Justice League #24. Now I thought the fight in that issue was amazing, and was looking forward to it continuing in this issue. I will however say that it would have been bettwer if the full fight was shown in one issue or the other, as although both were exciting, they'd have felt much more so if in the same issue, as much like the part of the fight from Justice League #24 this didn't feel long enough. I did however find it to be very exciting and enterating, and Ultraman's attitude throughout added a lot of depth as well.

Final Verdict

Although the series is progressing slowly it still manages to be very entertaining and exciting, with this being no different. This issue would also have some interesting character interactions, and the way the story would develop would be extremely interesting. Due to all this I'd highly recommend this issue and the event so far, and can't wait for the next issue.

Rating: 8/10

Damian: Son of Batman #1 Review

Writer/Artist: Andy Kubert

This has been a series that I've been looking forward to for some time now as besides the fact that I've been a big fan of the Damian Wayne character, I was especially interested to see how he plays a part in the future of the DC Universe given the fact that he dies in Batman Incorporated #8. I have however been slightly sceptical following Andy Kubert's Joker issue during Villains Month, though I still have high hopes for this mini-series.

Plot

As Batman and Robin investigate a crime involving the Joker things don't end very well or Batman.

Review

This was a decent start for the series, though it was still rather disappointing. Andy Kubert didn't do a terrible job with this issue, as it was much better than the Joker issue. I did however feel that there was a few problems with Kubert's writing, as besides the characteristics of Damian being off a bit the dialogue being rather awkward at times, also feeling very unnatural. Kubert would however do a good job of making this issue flow smoothly, as well as adding mystery and suspense to the story. Kubert did however do a fantastic job of the artwork on this issue, as although there were the odd awkward facial expressions, it was very intense and dramatic, having a brilliant tone throughout. The layout of Kubert's art was also outstanding helping to enhance the excitement of the fight sequences, as well as adding more depth to the story. Added to that the wonderful colours from Nick J. Napolitan and this would be a vibrant story with amazing tone.

WARNING: SPOILERS FOR THE REST OF THE REVIEW!

Now I usually dislike giving away spoilers, but there's a major development near the start that is hard to avoid spoiling, and comments about other developments could also mention this. Anyway now that you're warned Batman dies in the opening sequence. Now this isn't a shock as he must die for Damian to become Batman. The sequence itself was however very exciting, with some beautiful artwork, as although the dialogue was a bit poor, it would be very intense and overall very entertaining.

This issue would also see an appearance from both Ra's Al Ghul and his daughter and Damian's mother Talia Al Ghul. Now there is a lot of questions about how both Talia and Damian are alive, and whether this is the same universe as the regular DC series'. I did however enjoy the appearance from Ra's and Talia, as although I question why Damian would want help from the person that killed him, it wouldn't be right not to add them in some form or another. The best part of their appearance however would be the dialogue from Ra's which was one of the better pieces of dialogue in the issue.

The rest of the issue would see Damian hunting down anyone that has claimed to have been behind the killing of Batman, whilst looking for Joker at the same time. I really enjoyed seeing these villains added, as although it was a rather short appearance from them all, it would show just how big an affect Batman had over Damian's behaviour, and that now that he's no longer around he will let his anger rule over the lessons that Batman taught him. There would also be some questionable development points to this as well, and although I like the mysterious element of that, I also hope that there is some clarity over the continuity behind these developments.

Final Verdict

This was a decent start to this four part mini-series as although it wasn't as amazing as I hoped it would be, it was still very interesting having a lot of mystery to it. I do however have faith that this will be a good series, and if Kubert improves the dialogue it could become even better. Due to all this I'd recommend this to anyone who's a die hard Damian Wayne fan, but otherwise I'd wait it out for another issue or two to see how good the story is overall.

Rating: 6/10

Justice League #24 Review

Writer: Geoff Johns
Artist: Ivan Reis

This series as a whole as been amazing and one of the series that I've enjoyed the most since the start of the New 52 two years ago. It has however gotten even better since the start of Trinity War and now that Forever Evil has started I'm sure it will continue to be just as brilliant.

Plot

Ultraman's origin is revealed whilst in the present he pays the Daily Planet a visit.

Review

This was a fantastic issue and a brilliant Ultraman story. Geoff Johns continues to do an amazing job on this series, doing a great job of tie-in this in with the events of Forever Evil without taking anything away from the main event itself. Johns also did a great job of transitioning from Ultraman's origin story to the present, with the narration from Ultraman throughout this issue also being amazing. Johns would also add a lot of drama and suspense in this issue, with the tone being perfect for both the characters and the event as a whole. I did however feel that this issue was too much of a set-up for Forever Evil #3, as although it was very exciting and enjoyable, I couldn't help but feel that it was ever so slightly incomplete.

The artwork in this issue was simply phenomenal with Ivan Reis producing some of his finest work. The detail throughout this issue was simply outstanding, as although there were a couple of minor imperfections they are very hard to notice, and overall the detail was very consistent throughout. The layouts of Reis's art was also amazing, adding a lot of depth and tone to the issue, helping the story to flow smoothly. The action and character emotions would also be brilliantly handled, adding a lot of excitement and realism to the issue. On top of all that Reis would also produce an amazing cover that was a brilliant homage to Jim Lee's cover for the first issue of the series.

This issue would start by re-telling Ultraman's origin. Now for anyone who knows Ultraman's origin this may or may not interest you, but having not read it myself I personally really enjoyed the re-telling, feeling that it was the perfect start to this Ultraman themed issue. What I especially enjoyed was that although it was very similar to Superman's origin, it was much darker and grittier, with everything having a bad natured tone to it. Ultraman as a child would also be rather creepy, with his red eyes reminding me of Damien from the Omen.

In the present part of this issue Ultraman would pay a visit to the Daily Planet, to see just how different the staff are compared to their Earth-3 counterparts. This was a very intense and exciting sequence, and I especially loved how Ultraman exerted his dominance, and how angry he got over the differences between these characters compared to their Earth-3 counterparts. I also yet again loved the dark tone to this, as if it was Superman doing this I would have hated it, but cause it's Ultraman it's very dramatic and intense.

This issue would also see a fight between Ultraman and Black Adam. Now I won't go into any detail as to how the fight started, but I will say my thoughts on the fight. First of all I loved that it happened, as following the tease in Forever Evil #2 I was looking forward to the two squaring off. I also found it funny that Black Adam was actually the hero here, as having been considered a villain it's easy to forget that his intentions are usually good, just not always moral. It was however a shame that it didn't end in this issue, but in saying that I'm even more excited for Forever Evil #3 now.

Final Verdict

This was an outstanding issue, as although not necessary for anyone who is only interested in the bare essentials of Forever Evil, it was still an exciting read, retelling Ultraman's origin in a very dark and gritty way that contrasts Superman's origins perfectly. There would also be some brilliant action as well, as although it was mainly setting up Forever Evil #3 it was still very exciting, also being suspenseful. Due to all this I'd highly recommend this issue as it was a very fun and entertaining read.

Rating: 9/10

Batman/Superman #4 Review

Writer: Greg Pak
Artists: Jae Lee & Ben Oliver

This has become one of my favourite series from the New 52, as although it hasn't always been phenomenal, it has always been very entertaining, having some very interesting and exciting moments, and Greg Pak continues to show in this series how good a writer he really is.

Plot

There is conflict between the two Supermen and Batmen, and how they must decide what to do with the mysterious crystal.

Review

This was a fantastic issue, and an amazing conclusion to this opening story. Greg Pak did a wonderful job of tying the story off in this issue, as although there were minor problems I had, overall it was a very exciting and interesting issue. The pacing throughout the issue was also brilliant, as although there were some sequences that were a little too quickly paced, the overall issue flowed very smoothly. Pak also managed to add a lot of suspense and tension in this issue as well, with the entire atmosphere being amazing. I would however add that this is an issue that you need to pay attention to, as if you speed through it you may get slightly confused, and have to re-read certain parts, or even the entire issue again.

The artwork in this issue was also brilliant, as although I'm never going to become a huge fan of Jae Lee, his work on this series has been outstanding. Overall his artwork is simply beautiful, but the main problems I have is the lack of emotion throughout the characters, as well as the odd way he draws characters hair. I do however love his unique and dynamic layouts, and the amazing energy that he brings out of the story. Ben Oliver who did a few pages worth of art on the first issue would also help out once again drawing the latter pages of the issue. The detail and atmosphere was once again fantastic, with there being brilliant tone and emotion throughout, and I kind of wish he'd done the entire story.

This issue would see a difference of opinion between the Batman and Superman of the regular DC Universe, and the Batman and Superman of Earth-2 about what should happen with the crystal. I really enjoyed this, and although it would have been nice to see more action, given the fact the story has two of each character it needed something like this, adding a lot of drama and suspense. I also found the crystal itself to be a very interesting object, as although it seemed a rather simple concept, it had vast amount of development points, and Pak managed to show this brilliantly.

The Trickster would also have some involvement in this issue, as she would continue her fight with Wonder Woman, which Lois Lane and Catwoman watch, with Lois trying to help stop the Trickster. Now overall the Trickster has been a brilliant addition to this story, and I'm sure she'll have a even more interesting role somewhere down the line. I would of however have liked to have seen a bit more of her fight with Wonder Woman, as although I understand why Pak focused more on the Batmen/Supermen sequences, it would make this sequence feel too much like background noise. I did however enjoy the message that Trickster had for them near the end.

One of the things that the solicit for this issue promised was to reveal how Superman and Batman have no recollection of this adventure. Now I won't go into any details about this, but it was just as expected, and due to that rather disappointing. It did however add a lot of tone and atmosphere to the end of the story, and I liked that due to this Pak has managed to keep the story in continuity. I also loved how Pak would follow-up on the opening sequence of this story, developing on Bruce and Clark's encounter involving a bullied boy, making the story come full circle.

Final Verdict

This was a brilliant conclusion to the series opening story, and although it wasn't quite as impactful as I hoped it would be, it was still very exciting and entertaining, with some very interesting moments. The character interaction was also yet again wonderful, and I really hope that Pak gets round to building on this story later in the series. Due to all this I'd highly recommend this issue, and the entire first story, though if you're short on cash and haven't been getting the series so far I'd recommend leaving it till next issue.

Rating: 8/10

DC Comics Solicitations January 2014

DC Comics has just released their solicitations for January 2014, giving you the chance to plan for the new year, tweaking or adding to you pull list.

Forever Evil: Arkham War #1 Review

Writer: Peter J. Tomasi
Artist: Scot Eaton

Although the Villains Month prequels in the Scarecrow and Bane issues weren't as good as I hoped they would I have still been looking forward to this series, with this being the only mini-series from Forever Evil that I'll be getting bar Forever Evil itself.

Plot

With Bane's arrival near, Scarecrow turns to Penguin for advice on how to deal with him.

Review

This was surprisingly a very good opening issue for the series, as I half expected the first issue to be of the same quality level that the Villains Month prequels were. Peter J. Tomasi did however do a very good job of kicking this off, giving people who missed Villains Month a reader friendly issue, whilst also allowing people who read the prequels a better reading experience. The issue itself was also brilliantly paced, as even the slower sequences had the perfect mood and tone, with the exciting moments also being very explosive, and dramatic. Tomasi also did a great job of adding as many villains as he could without it feeling forced, and I was very happy that he added a smaller villain like Professor Pyg.

The artwork on this issue was also amazing, and Scot Eaton did a fantastic job. The detail throughout the issue was brilliant, with everything being very consistent. I also really enjoyed the way that Eaton laid his artwork out, as it helped with the overall pace of the issue, adding a lot of depth, and also being very dynamic. Eaton also did a brilliant job with the character movement, and expression in this issue as well, as it allowed for so much more excitement and drama, also adding even more depth to the issue. I also loved how Eaton drew Bane, as he managed to make him look like the monster that he is, showing the intensity that he brings, which isn't easy considering you can't show much facial expressions.

The main theme of this issue would be Bane's imminent arrival, and due to this the issue would see Scarecrow frantically going about trying to find ways of stopping Bane. This would included Scarecrow having interactions with both Professor Pyg and the new mayor of Gotham, the Penguin. Now I really enjoyed this, as although I have found Scarecrow's personal fear to be a hindrance for his character, it was handled in a brilliant way in this issue. I also really enjoyed the Penguin's lack of concern over this, as it showed his characteristics perfectly.

This issue would also see Bane on a rampage, with his main target in this issue being Blackgate Penitentiary. Bane was easily the most enjoyable character to read in this issue, and Tomasi really seems to know what he's doing, as although his Bane Villains Month issue was rather slow, he has made up for that big time in this issue. I also really enjoyed seeing Bane exert his dominance, and how it was extremely clear that he didn't care about anything besides taking control of Gotham. I also enjoyed how Tomasi showed Bane's intelligence, as although he doesn't care what he has to do, he still very much has a plan about how best to accomplish his goal.

Another thing that I enjoyed about this issue was that we got to see how the Gotham City Police Department was dealing with the sudden carnage, with Commissioner James Gordon making an appearance. Now his appearance wasn't long in this issue, and that was probably a very good thing, as it didn't take away from the two main characters, Bane and Scarecrow. I did however feel that it was a great addition, as with Batman gone there needed to be some sign of protection for the city, as although they may not be winning, it wouldn't be right to show not attempt at all to stop these villains.

Final Verdict

This was a fantastic issue, and much better than I originally thought it would be. It was however still not perfect, but did set the series up brilliantly, and I'm expecting a lot from the future of the series now. This issue itself was also very dramatic and exciting, being perfectly paced, with the slower parts even having brilliant tone to counter that. Due to all this I'd highly recommend this issue, as it is well worth giving a try.

Rating: 8/10