Batman #28 Review

Writers: Scott Snyder & James Tynion IV

Artist: Dustin Nguyen

Who is Bluebird? Read on to find out.

The official description from DC Comics:

A new story that flashes forward to the upcoming weekly series BATMAN ETERNAL! This special issue, written by Scott Snyder and James Tynion with art and cover by Dustin Nguyen, will provide a peek at 

what's to come in the weekly series, with glimpses at some key characters in the series.

Zero Year has been a terrific story so far, but in saying that it's nice to get a break from this long story. And what better way than by getting a sneak peak into the Batman event of the year: Batman Eternal?

Scott Snyder and James Tynion IV give us yet another Harper Row centred story, with her now being a part of the Bat-Family as Bluebird. This was inevitability, and the fact she's now Batman's official partner only strengthened her as a character. Added to this the fact that she's her own unique hero, alongside her fantastically designed costume and I for one look forward to seeing more of this new Dynamic Duo. The story itself also had a lot of suspense and drama, but besides Bluebird's revelation it'd be the shock ending that'd catch my attention the most in this issue.

Well known Batman artist Dustin Nguyen took over art duties for this issue to allow Greg Capullo more time to work on the next part of Zero Year. Now I've always enjoyed Nguyen's Batman art, as despite some of his other work being less appealing he usually delivers on Batman. This was no different here, with his style giving a dark and intense tone, whilst his layouts gives some structure and impact. Nguyen also adds yet more intensity through the facial expressions, which also give a realistic tone to the interactions.

This glimpse into Batman: Eternal is nothing but a big tease, and if nothing else will make you want to give this issue a try the shocking ending certainly will.

Rating: 10/10

Batman #27 Review

Writer: Scott Snyder
Artist: Greg Capullo

Will Batman survive his battle with the GCPD? Read on to find out.

The official description from DC Comics:

“ZERO YEAR” reaches an all-important crossroads as Batman and Jim Gordon try to turn the lights back on in Gotham City. This issue leads directly into the final arc of Zero Year, which begins here next month!

I have had mixed feelings over Zero Year, as with the first arc being immense I expected a lot from this second arc, which to be honest has overall felt like a filler before the third arc. It has however had some good moments, with the early relationship between James Gordon and Batman being very interesting at times.

Scott Snyder once again produces a very good script in this issue, as although I still feel like it's taking up time prior to Batman's big encounter with the Riddler, it's still very dramatic. Snyder also manages to time everything well, as it wouldn't have been easy to follow up from the epic action sequence at the start of the issue, but he managed to do it in a way that was both intriguing without the pace changing too dramatically. On top of this Snyder also did a great job of showing more of Gordon's background, and how his characteristics were ever so slightly different back then (whilst still being overall good natured).

Greg Capullo once again did a phenomenal job of the artwork, and is still one of the things I love the most about this series. Capullo lays out his art in a way that captures each moment perfectly, allowing for every panel to be in it's own way very dramatic. Added to this the explosive action sequences and the way he shows character emotion and it's hard to think of the series being as good without his artwork. Capullo also continues to add the perfect dark tone this series needs, having a brilliant silhouette moment. On top of all this the colours from FCO Plascencia were once again outstanding, giving the perfect finish to Capullo's fabulous art.

Zero Year continues to have a mixed affect on me, as despite my overall opinion being very positive, I question the necessity of the length. I do however still highly recommend this and can't wait to read more.

Rating: 8/10

Batman #26 Review

Writer: Scott Snyder
Artist: Greg Capullo

Will Zero Year continue to be as awesome as it’s been so far? Read on to find out.

The official description from DC Comics:

ZERO YEAR continues! With Gotham City thrown into total chaos by The Riddler, Batman and Jim Gordon must learn to work together!

The first part of Zero Year involving the Red Hood Gang was simply astonishing, though it has been a bit slower as of late, though it ended on a brilliant cliffhanger with the last issue.

Scott Snyder continued from this cliffhanger brilliantly, though the issue itself was still lacking in areas, not being as exciting or explosive as the storyline was during the first part. Snyder did however do a great job of building up yet more hype and suspense in this issue, utilising one of Batman’s oldest villains, Doctor Death in an outstanding way. I also loved how Snyder answered the puzzling questions that last issue asked, whilst also showing a more intense side to the relationship between Bruce and Jim Gordon. It did however overall have too much set-up throughout the issue, which ultimately made it a little bit slower.

The artwork from Greg Capullo was however astonishing as usual, and was easily one of the best things about this issue. I loved the layout of Capullo’s art, as well as the immense detail that he adds, making this story feel all the more intense and suspenseful. I am however still not a huge fan of the change to Bruce’s look, as although it gives something a little more distinguishing for this younger Caped Crusader, it just doesn’t look right to me. This however is only personal taste, and nothing against Capullo’s art, as his work on Doctor Death and the action more than made up for this minor annoyance.

Zero Year appears to be slowing down a touch to set-up the big clash between Batman and the Riddler, and although this will probably pay off eventually it is slightly hurting the story the now. It is however still one of the better series out the now and it’s easy to recommend this issue.

Rating: 7/10

Batman #25 Review

Writer: Scott Snyder

Artist: Greg Capullo

So far this series has been outstanding and easily one of my favourites and so far Zero Year has been an amazing series, and a brilliant retelling of Batman's early years, and if it keeps up this pace it could easily become one of Scott Snyder's best Batman stories yet.

Plot

As Gotham is in a blackout created by the Riddler a series of strange murders start happening, reintroducing an old villain in a new way.

Review

This was yet another brilliant issue in the Zero Year story, as although unlike last issue it didn't justify the price increase, it was still very enjoyable with Scott Snyder setting up the future of the story perfectly. Snyder would also do a brilliant job of adding a lot of suspense and drama to this issue, as although the events of the issue weren't quite what I hoped they'd be, having very little Batman appearances, it would still have a lot of tension and excitement throughout the issue. Snyder would also do an amazing job of keeping the same dark and sombre tone that the story has had so far, adding in some light when needed, as it gives the perfect vibe to these early years of the Dark Knight.

The artwork in this issue would also yet again be outstanding with Greg Capullo doing an amazing job. The detail in his artwork is simply spectacular as although I'm still not overly fond of the hair style to this younger Bruce Wayne, the detail itself is very consistent throughout the issue, with it being to a very high standard. The layouts from Capullo would also be fantastic, adding a lot of depth and drama to the issue, as well as helping to add more suspense. The overall tone of Capullo's artwork would also be amazing, with the overall dark and mysterious tone being perfect for this issue, especially given the fact that Batman himself doesn't have a huge role in this issue.

We'd get to see a new version of Batman's Batmobile in this issue, with this version being a modern take on an earlier model. The car itself was simply spectacular, as although nowhere near as awesome as some of his more classic Batmobile's, it was the simplicity and the odd bit of technological spectacle that made it brilliant. I also loved the racer like gear stick as well as the racer like steering wheel and the harness like seatbelt, all of which would give a more realistic feel to the Batmobile. On top of that the look itself was that much different from the classic look for a Batmobile that it made it feel like the first model that it is.

There would be a new villain introduced in this issue, and it would be none other than the first villain that Batman would ever face in the earlier comics, Doctor Death. Now I've never been a huge fan of Doctor Death, but the fact that he was the very first villain that Batman ever faced made his appearance in this story very fitting. I also loved the reaction from the Gotham City Police Department towards Doctor Death's actions and I am looking forward to seeing Batman square of against him later on in the story.

This issue would also see one of Batman's more well known villains feature, with Poison Ivy making a cameo appearance. Now this would be prior to her becoming Poison Ivy, being plain old Pamela Isley but the fact that she made an appearance was very interesting, as it was nice to once again see Poison Ivy prior to becoming a villain. I also liked the way that her addition was handled in this issue, as it would work perfectly along with the developments within this issue, and I hope that cause of this we'll get to see the transition into Poison Ivy during Zero Year.

Final Verdict

This was a fantastic issue and although the price increase didn't quite feel worth it, the issue was still amazing, setting up the future of the story perfectly. On top of that it would also have a lot of mystery and suspense as although Batman himself doesn't have a huge role in the issue, it would still be very dark and exciting. Due to all this I'd highly recommend this issue as well as the story so far, and if you're short of cash and can't get the story so far, this is a great jumping on point.

Rating: 8/10

Batman #24 Review

Writer: Scott Snyder
Artist: Greg Capullo

This has been a series that I've enjoying since it first started, and this Zero Year storyline has been simply amazing so far. I have enjoyed how it's managed to give an unique origin for the Dark Knight, also giving exciting and entertaining events along the way.

Plot

After Bruce Wayne reveals himself to still be alive, Batman faces off against the Red Hood Gang once again.

Review

This was an amazing issue, and quite possibly the best in the storyline so far. Scott Snyder has done a brilliant job of bringing the first part of his epic tale to an end, with this issue being very dramatic and suspenseful, also being extremely exciting. I also felt that for an oversized issue that Snyder managed to keep the story at a brilliant pace, as it would be very easy with such a big issue to allow it to slow down a lot. Snyder also managed to do great justice to the Batman mythos in this issue, both showing homage to previous Batman work, as well as adding his own uniqueness to this retelling of Batman's origin. On top of that Snyder also wrote some fantastic dialogue in this issue, and if he continues like this the storyline could become one of the greatest Batman stories of all time.

The artwork on this issue was also once again phenomenal, and Greg Capullo continues to impress me. The detail in his artwork throughout this issue was simply amazing, with it being very consistent throughout, and that's saying something considering the amount of pages he had to draw (lucky he had the extra time during Villains Month). The layouts of Capullo's art were also brilliant, adding a lot of depth and tone to the issue. I also really enjoyed how Batman was hidden in shadows throughout most of this issue, and how the ears on the cowl were slightly pointier, reminding me of the earlier years of Batman, whilst still keeping it modern and fresh. Rafael Albuquerque also once again did a great job of his portion of the artwork, with his ten pages looking fantastic.

This issue would start with Batman stopping members of the Red Hood Gang from stealing chemicals. Now I really enjoyed this sequence as it was extremely fun and exciting, and kind of reminded me of my childhood with it having a similar style to Batman: The Animated Series from the 90's. I also loved how this showed Batman at his best, as although I have loved all the gadgets, and tools that he has acquired over the years, it was nice to see a more simplistic approach. I also loved how this also emphasised the fear that Batman puts into his foes, and the way that Batman would be clocked in darkness really helped this.

Bruce would also take some drastic steps in his normal life, deciding to make it public knowledge that he's not dead. Now I thought that this was a brilliant development point for the story, as not only does it help tie-up loose ends by revealing how Bruce is currently a public figure, it would also help build-up further parts of this issue. I also enjoyed the interaction between Bruce and his uncle Philip in this issue, with the sequence being very dramatic, revealing things that I've been expecting sine the start of the story. I did however find Bruce's new hair cut in this issue to be rather weird and silly looking, as although there was a good explanation for it, it still didn't look right for him.

My favourite sequence in this issue would come about half way through the issue, seeing a very dramatic and exciting sequence that took place in the A.C.E. Chemical Factory. Now I won't go into any details of the plot line, though I will say that the sequence would involved both Batman and the Red Hood Gang. The sequence was very entertaining and exciting, having some of the best artwork that I've ever seen from Capullo. It also had some brilliant homage points within, and left a lot of questions as to whether the sequence was as it seemed. I also loved the aftermath to this sequence that would come from Snyder, James Tynion IV and  Albuquerque at the end of the issue, with it having me extremely excited for the next issue.

Final Verdict

Snyder ends the first half of Zero Year on a high, with this issue quite possibly being the best in the storyline yet. It had a lot of excitement, as well as tons of drama and suspense, and was overall a fantastic read. It also did a lot for the Batman mythos, and giving him a fresh new origin that pays homage to previous stories. Due to all this I'd highly recommend this issue, and the story so far, and can't wait to read the next issue

Rating: 10/10

Batman #23.4 Bane Review

Writer: Peter J. Tomasi
Artist: Graham Nolan

This was an issue that I was slightly excited about, but dreading following the disappointing Scarecrow issue last week. Bane has been one of the villains that I've enjoyed most over the years as although he's not always been used properly, when he is he's a huge threat to anyone in his way.

Plot

With Batman gone Bane makes plans to return to Gotham City and take the city as his own.

Review

This was a good issue, and although I enjoyed it, it was far from perfect. Peter J. Tomasi once again did a great job of setting up the upcoming Forever Evil: Arkham War series in this issue, though it wasn't much more than set-up. I did however prefer this to the other set-up to Arkham War in the Scarecrow issue, as this managed to have much more excitement to it, as well as having more depth. I did however feel that the issue didn't show Bane at his best, as although most of his characteristics were spot on he didn't seem as driven as he normally is. I do however have a lot of hope for the upcoming Arkham War series, as although both set-up issues haven't been brilliant, they have shown a lot of promise.

I was in two minds about the artwork in this issue as although I overall enjoyed it I felt that Graham Nolan didn't do as good a job on Bane as he has in the past. Now I'll talk about the good stuff first as the layout to Nolan's artwork was amazing, being very dynamic and impactful. I also felt that it was very well detailed throughout, and that although it had quite a few plain backgrounds it managed to work well with the tone of the issue. I would however have preferred Bane to have been bigger, as although Nolan did a good job of showing his sheer power, I would have rather him been the huge foe that I loved through Knightfall. In saying that there probably was no need for him to be bigger in this story, and overall Nolan did a fantastic job.

This issue would quickly make it clear that Bane wants Gotham for himself now that Batman is no longer around. Now this is an interesting development, and given the fact that Scarecrow plans on taking Gotham for himself as well it has made the perfect set-up scenario for the upcoming Arkham War series. I did however feel that the issue spent too much time on this, not allowing us to see the best side of Bane. Bane did however manage to give some atmosphere to this issue, just not as much as I hoped he would.

This issue would also briefly run through Bane's origins, showing how he grew up in one of the worst prisons on the planet, Peña Dura, and how he got the venom that drives him. This quick summary of his origin was a nice touch as it allows people who want to know his origin the chance to see it, whilst also not clogging the issue up for people who know it well. I personally however would have rather seen a bit more of this in the issue, as given how the issue went it would have added more excitement to it.

WARNING: POSSIBLE SPOILERS AHEAD!

The Scarecrow Villains Month issue would state that Bane would go to Blackgate Penitentiary to get an army, so when I started this issue I was surprised that he was still in Peña Dura. The issue does however have Blackgate involved, though I would have liked them to have had a bigger role, and for Bane to have actually been there himself. It did however also add to the set-up, as although I complained about this and the Scarecrow issue being too much set-up this should mean that Arkham War has no excuse to excel.

Final Verdict

This was an enjoyable issue but nothing special, having a little too much set-up work for the upcoming Arkham War series. It did however have some excitement as well as a lot of depth, but it didn't really do Bane justice, quickly summarising his origin, and not showing him in much action. Due to this I'd only recommend this to anyone who's either that big of a Bane fan that they can't miss it, anyone who's considering getting Arkham War, or anyone who has spare cash and is looking for something half decent to read.

Rating: 6/10

Batman #23.3 Penguin Review

Writer: Frank Tieri
Artist: Christian Duce

The issues I've mostly been looking forward to from Villains Month have been the Batman related ones that I'm getting, as although I've been looking forward to the likes of Zod, and Doomsday more, it has been the Batman ones as a whole that I've been interested in, as with his villains being the best collection of villains ever I've been hoping for great stories involving them.

Plot

After recent events Penguin is still trying to build his empire up to what it was, though his old friend Carter Winston is a thorn in his side when he plans to close The Iceberg Casino.

Review

This was a surprisingly good issue, as although it wasn't anything special, it was much better than I thought it'd be. I've never really been a fan of the bits and pieces of Frank Tieri's work that I've read in the past, but this was really good, as after expecting a mediocre issue I was pleasantly surprised when it turned out to be good. The issue had a brilliant theme to it, taking a different direction to not only most issues that Villains Month has produced so far, but Penguin stories in general. I also loved the dram, and suspense throughout, as although the story wasn't spectacular, the gritty nature of it was brilliant, and I loved seeing Penguin do whatever he needs to get his way.

The art on this issue was also very good, as although I wasn't impressed when I saw the preview, as a whole it was fantastic, and Christian Duce did a great job, and I'd gladly buy more comics with his art. Duce's artwork suited the Penguin perfectly, as although I felt the preview issues made him look a little too grotesque, after reading the whole issue I felt that it was actually perfect, showing this sinister character, who can be charming as well as deadly. I also loved the layout of Duce's artwork, and overall the way he showed the characters emotion was brilliant, though it did look slightly awkward when it came to Carter. I also loved the tone of the artwork, and Andrew Dalhouse produced some amazing colours.

This issue would start by showing the running of Penguin's Iceberg Casino, and that although he's not happy with paying out customers that he's wanting to keep it as legit as possible. He was however angry when he found a group who were cheating. I did however find this version of Penguin too gentle, which put me off the story to start with. It did however quickly turn this into a positive, with this being a set-up simply to show that Penguin's attempting to go, or seem legit.

This attitude wouldn't last long though, as we would see a violent side to the Penguin, which I was very happy about. I was even more happy as we don't usually see Penguin fight himself, as although he's no match for Batman, he can handle himself with these sort of thugs easily, it's just that he mostly uses goons so we don;t get the chance to see it. On top of that I also felt that this sequence as a whole was very dramatic, and extremely exciting, as although it wasn't the best sequence in the issue, it was very close to being the best.

This issue would also see an old friend of Penguin's named Carter Winston, who plans on ridding Gotham City of the Iceberg Casino. Now with this being a new character I was interesting to see what kind of an impact he would have, and I have to say he had a decent one, and the interaction between him and Penguin was outstanding. It was also at times very intense and gritty, as without going into detail, it would add plenty of excitement to the latter half of the issue.

Final Verdict

This was a better issue than I originally thought it would be, as although nothing special it was very gritty, and dramatic. It also had plenty of suspense, and showed Penguin's characteristics perfectly, reminding us to, "never underestimate the Penguin." Due to all this I'd certainly recommend it, especially if you're a Penguin fan, but at the same time don't expect it to blow your mind.

Rating: 7/10

Batman #23.2 Riddler Review

Writers: Scott Snyder & Ray Fawkes
Artist: Jeremy Haun

Villains Month continues, and finally the issue that I was most looking forward to has arrived. Although Joker is my all time favourite villain, Riddler is very close behind, and I find his core characteristics much more interesting, and if he had the same level of iconic stories like Joker he could easily have topped him. Also with the semi tie-in to Zero Year I was even more excited.

Plot 

Riddler has returned to Wayne Enterprises, and makes his way up, and up, playing out riddles along the way.

Review

This was an outstanding issue, and easily one of the best that Villains Month has produced so far. Both Scott Snyder, and Ray Fawkes did an amazing job with this issue, as although story wise it wasn't anything special, the way it was written was simply phenomenal, and you really have to give Fawkes a lot of credit for that. I also loved the tone of the story, as it wasn't too extravagant whilst still being extremely exciting, and entertaining. I also loved how Snyder, and Fawkes managed to tie this story in with both Forever Evil, as well as Zero Year whilst not really making it a tie-in of either, rather being it's own unique story that plays off both events.

The artwork on this issue was simply astonishing, and I was extremely happy with Jeremy Haun's work. I really enjoyed Haun's work on the Red Hood: The Lost Days series so I was very happy when I noticed he'd be working on this issue, as although he's not one of the best artists ever he has a lot of skill. I especially enjoyed how Haun drew the Riddler throughout this issue, as although there wasn't always a lot of emotion in him, when there was it was fabulous. I also loved the tone that Haun gave to this issue, as his layouts were simply perfect, as although they weren't as extraordinary as some artists it added a lot of depth to the issue.

With this being a story that had Riddler as the only main character there needed to be a lot of riddles, as although there are usually riddles with the Riddler (hence the name) recently that hasn't always been the case. Sometimes however I'm happy they don't add riddles, as unless the writer has a knack for that it can seriously ruin the story. Gladly Fawkes was amazing with the riddles in this issue, as although the first one was extremely easy, the it was still very well thought out, as were the other ones. I also loved how all of them were in a similar style, giving a specific tone to them, with them all ending with, "what am I?"

Another thing that's needed to make a great Riddler story is for his characteristic to be right, and that was certainly the case here, with this and the whole Zero Year Riddler being his best portrayal in a long time. I just loved how he acted so methodically throughout the issue, showing that although he's not a psychopath, that he's still not afraid of getting his hands dirty. I was also extremely happy about this showing him as the criminal genius that he is, as with Batman no longer around there isn't anyone to story him.

With Zero Year being the main Batman story out the now, as well as having Riddler as a key feature it was only expected that this'd be some what of a tie-in, and although Fawkes was right in a previous interview when he said that it's not a direct tie-in, I was happy that it did show a connection. I also loved how this connection was extremely subtle, as it doesn't go into any details about the Zero Year, just mentioning how Riddler was stuck in Arkham Asylum afterwards, and how life was like then, before, and now.

Final Verdict

With Villains Month being very inconsistent so far it was nice to finally read an outstanding issue, as although there have been a few great ones, there haven't been any at this level so far. The issue itself got the Riddler character perfectly, having some fun, and interesting riddles, as well as brilliant interaction, and some exciting sequences. Due to all this I'd highly recommend it, and especially if you're reading Zero Year, as although not a direct tie-in, it goes very nicely with the story.

Rating: 10/10

Batman #23.1 Joker Review

Writer: Andy Kubert

Artist: Andy Clarke

Villains Month is here, and everyone will have their favourite villain that they are looking forward to reading. Mine personally is this man, the Joker, and although I was sceptical about Andy Kubert becoming a writer, I had a lot of hope that he would do a good job. So did he?

Plot

Following his troubled childhood Joker takes a gorilla from a zoo, and helps it to become his sidekick, Jackanapes.

Review

This has to be one of the worst comic book issues that I have read in a long time, and it's such a shame as I was really hoping for something brilliant here. Andy Kubert doesn't do a terrible job of writing this issue, as to be honest it's a fun story, and I liked how he was going for a fun Joker story. I did however feel that it didn't suit the Joker, and the story in itself felt too silly, as although I was hoping for something much darker, this goes to far in the opposite direction. I did however get the feeling that Kubet understood Joker, but at the same time he didn't appear to be able to execute that into a brilliant story, and if this is a sign of what he'll be like as a writer he should stay as the amazing artist he is.

The best part about this issue was the art, and Andy Clarke did a phenomenal job. It would have been nice to see Kubert himself on art, as I love when artists who turn to writing do their own artwork. Clarke however is a much better artist, and I'm glad he worked on this issue, as it makes it almost worth the purchase. The detail in his artwork is simply outstanding, and I really enjoyed how he managed to show Joker's expressions throughout the issue, as although some of them aren't what I'd expect from the Joker, they had to follow the story, which needed this. I also loved the layout as it really helped give tone to this story. Blond's colours were also amazing, helping to add tone, and vibrancy to the issue.

Kubert took an extremely risky move at the start of this issue by showing Joker's childhood, and it didn't pay off. Now I understand that with Joker you can put him in nearly any kind of situation, as he's that unpredictable. There is also the fact that his origin is that mysterious that even if you told it there would be the question whether it's real or not, as although this comes from Joker himself, does Joker really remember? Besides this it didn't do much for me, as although it showed symbolism of his character, and how he's possibly been shaped, also helping lead into this story, it just didn't feel right for the Joker, and after this I'm happy that it's questionable about what's real or not with Joker's past.

This wasn't entirely centred around his childhood, as it'd quickly jump forward in time to Joker, and his gang at the zoo, with it apparently being the reason for the flashback. During this sequence I found Joker's expressions to be rather odd, as it didn't seem like the Joker, even if he was being serious. I did however find his gang interesting, as although they weren't spectacular, being far from a Harley Quinn, they added some humour to the issue. I especially loved seeing Max Roboto again, as given his limited history it was nice to see him added.

The main centre of this issue would be Joker bringing up a gorilla from a baby to an adult, calling it Jackanapes. Now those keen Batman fans will already have spotted that Jackanapes is already an existing character, being a foe of Damian Wayne during the possible future that was shown in Batman #666. Now the tie to this title is the only thing I liked about Jackanapes in this issue, as along with Max Roboto this shows that Kubert may be leaving some teasers for his upcoming Damian: Son of Batman limited series, which is set in that possible future.

Final Verdict

This may appeal to some people, but it certainly didn't to me, being too ridiculous. It also felt very rushed, and didn't have a lot of character interaction. It was however fun to a certain point, and showed that Andy Kubert understood the character, but at the same time also showed that he couldn't execute it into a decent story. Due to all this I wouldn't recommend this, as it's not worth the gamble to see if it's for you.

Rating: 2/10

Batman #23 Review

Writer: Scott Snyder
Artist: Greg Capullo

This has been one of my favourite series, and with it featuring my favourite character it makes things even better. Besides that the current Zero Year story has also been very exciting, and unique, and it looks to be getting better, and better.

Plot

At the mercy of the Red Hood Gang, Bruce Wayne takes a horrible beating. Meanwhile Philip Kane, and Edward Nigma don't see eye to eye.

The Pit

Near Norway a 24 year old Bruce is involved in a death match to learn him that sometimes during war you have to kill.

Review

This was a brilliant issue, and the story keeps continuing to amaze me, but this issue wasn't quite as spectacular as the previous two. Scott Snyder does however do a brilliant job of developing this story, keeping the excitement, and drama at a high. Snyder also added plenty of suspense in this issue, as well as some brilliant emotion. I did however feel that there wasn't a lot happening in this issue, as although everything was so dramatic, it all happened rather fast. The dialogue during this issue was also brilliant, with the interactions being very intense, and exciting. I also loved the dark tone that Snyder added to this issue, as with it being an origin story for Batman it needs to have plenty of darkness about it.

The art was simply outstanding, and although when I was initially not a fan of Greg Capullo's art when this series started, it has really suited it, as although he's not the best Batman artist ever, he knows how to add the right tone to the series, whether dark, or light. The detail in Capullo's art is also spectacular, and it's very hard to find any imperfections in it. The layout of Capullo's art also adds plenty of depth, and drama to the issue, as although this isn't the most impressive layout he's done yet, it does it's purpose, adding brilliant tone to the issue. I also liked how he drew the beaten up Bruce, as although I was initially in two minds whether I liked it or not, I came to the conclusion that it was relatively realistic.

This issue would start with the Red Hood Gang beating Bruce to a pulp, with this continuing for about a third of the issue. This was a very exciting sequence, also adding a lot of tone, and suspense to the issue. With Bruce having little chance to do anything in this sequence, it was paramount to add a brilliant atmosphere, and Snyder did this perfectly, as the Red Hood Gang leader had a tremendous presence, with the dialogue that he'd say to Bruce adding a lot of depth, as well as more tone to this amazing sequence.

The other interesting sequence in this issue was a conversation between Philip Kane, and Edward Nigma. Now I won't go into too much detail about this sequence, as to avoid spoilers, but I will say my thoughts, as well as the fact that they had a disagreement. Now I've loved seeing Nigma, better known to Batman fans as the Riddler in this story, as with him being one of my favourite villains I'm happy to see him involved properly in a New 52 story. This sequence itself was however very dramatic, and suspenseful, with the dialogue once again being amazing, and I look forward to seeing how it's developed.

The back-up story would once again be written by Snyder, and James Tynion IV, and drawn by Rafael Albuquerque. This short story didn't really amaze me, as although I've been loving the concept of a younger Bruce in these back-up stories, with this having plenty of action, it didn't do much for me. I did however love Albuquerque's art, as although not quite as good as his previous two additions, it was very gritty, and dark, suiting this story perfectly.

Final Verdict

This was a tremendous issue, and although it's the worst in the story so far, it was still amazing, and shows just how good this story has been. The suspense, and drama throughout the story was outstanding, with exciting dialogue. The back-up story was however nothing special, and along with the fact that the everything happened so fast in the main story let the issue down a bit. I would however still highly recommend this issue, as well as the story so far, as it's been very unique, and interesting.

Rating: 9/10

Batman #22 Review

Writer: Scott Snyder
Artist: Greg Capullo

This has been a series that I have really enjoyed, as being a big Batman fan it's nice to see the main Batman series doing well, which it has been since Death of the Family, with this story looking to be just as good, if not possibly better.

Plot

Bruce continues battle against the Red Hood Gang, whilst his uncle, Philip Kane, and Edward Nigma conspire against him.

That One Time

A 21 year old Bruce goes to a man named Sergei to further his training.

Review

This was a brilliant issue, and although there were times where I wasn't sure if it met the same level of quality as the last issue, overall it may have even surpassed it. Scott Snyder is certainly doing a great job with this story, and although there was a couple of slow bits that made me consider lowering the rating, the other clever bits made up for them, and then some. The emotion that Snyder added to this issue was amazing, and I especially loved the interaction between Bruce, and Alfred. The action was also superb, and the way he's added Riddler (Edward Nigma) to the story has been brilliant, and I hope we also see him becoming the Riddler in this story.

The art from Greg Capullo was once again outstanding, and his style seriously suits this series. He may no be the best Batman artist ever, but he's certainly understood the tone of each story, adding the right tone for each story. The detail in Capullo's art is also brilliant with very few imperfections, if any. The layout of his art is also amazing, and I love the symbolism in his work. He also does a great job at drawing the character's, and especially with their facial expressions, even showing it on the Red Hood Gang, which isn't easy considering their faces are covered. the cover was also brilliant, and yet again showed symbolism, being very basic, yet still amazing.

This issue started with Bruce once again going after the Red Hood Gang. Now although I wasn't initially a fan of the group when they were introduced in the zero issue, I have however grown to like this group over the last couple of issues, and the mystery over who's leading them has left a lot of people speculating. I also have my theories, and although I won't share them here as to avoid potential spoilers (if I'm by any chance right) I will say that I don't think it's Joker, or Riddler as they're too obvious (plus Joker was just in a story). Besides this the action was perfectly handled, and I'm loving seeing Bruce use other resources to fight his war on crime, showing that Batman wasn't his initial plan.

There was a sequence in this issue where Bruce, and Alfred had a heated discussion, and although I won't go into details, as to avoid spoilers, I will say my thoughts on the sequence. First of all I felt it was expertly handled, and it added much more drama to the issue. I did however feel that both character's said things that weren't what you'd expect from them, but this just shows how much their relationship has changed over the years. Besides all this I liked the fact that despite it being a intense sequence it managed to add a bit of humour.

Last issue showed that Edward Nigman, better known as the Riddler would feature in this story, and that continued in this issue. Ridder is my second favourite villain after Joker, and could have easily have been my favourite if he'd featured in more great stories, so it's nice to see him in this story. The interaction between him, and Bruce in this issue was very interesting, and I loved how part of the discussion was in the form of a puzzle, as although it wasn't easy to read, it suited the Riddler perfectly. I also look forward to seeing what he has in story for Bruce, and what his goal is.

The back-up story was once again written by Snyder, and James Tynion IV, and drawn by Rafael Albuquerque. Now the story itself was nothing amazing, as although it was nice to see Bruce continue his training it wasn't necessary. I did however like how this made Bruce have to think hard, which was interesting. Albuquerque's art was however once again outstanding, and very well detailed.

Final Verdict

This was an amazing issue, and a great continuation to Zero Year. This issue had plenty of action, that was exciting, and explosive, as well as some intense, dramatic sequences. The addition of Edward Nigma, and the fact that he, and Bruce's uncle, Philip Kane are conspiring against Bruce is also interesting, and overall this has been a very enjoyable issue. Due to all this I'd highly recommend this issue, as well as last issue, and the zero issue, which also ties into the story.

Rating: 5/5

Batman #21 Review

Writer: Scott Snyder
Artist: Greg Capullo

This has been one of my favourite series since it started a couple of years ago, and during that time we've had some brilliant Batman stories, and although some have also been slightly poor, in general it's been brilliant.

Plot

After returning to Gotham City, Bruce Wayne plans on taking down the Red Hood Gang, developing new equipment in the fight against crime.

Where the Hell Did He Learn to Drive?!

A 19 year old Bruce goes on a drive with Don Miguel as he tries to escape the cops in Rio de Janeiro.

Review

This was yet another amazing issue, and a brilliant start to the Zero Year story. Scott Snyder has really been doing good lately, with the last year worth of this series being brilliant, the start of his new Vertigo series The Wake, and his newest series, Superman Unchained, which debuted this week. With all these different series operating at the same time it's surprising that they are all at such a high level of quality, but that doesn't seem to be a problem for Snyder. Anyway, although this was far from the most exciting issue of the series so far, it was still brilliant, having the perfect tone for the opening of this type of story. I really liked how it was much more down to Earth, having Bruce feature much more than Batman, as with it being the start you'd expect that. I also loved how Snyder managed to make this so emotional, and dramatic, whilst also feeling very natural. Talking about natural, the dialogue Snyder wrote for this issue was simply perfect, and although it wasn't the most interesting dialogue Snyder's written, it once again suited this type of story. I also liked how there was a hint of fun in this issue, as well as the fact that Bruce had a slightly different viewpoint, not entirely knowing what he's about to do.

The art in this issue was also spectacular, and Greg Capullo once again did an amazing job. His style of artwork suits this series perfectly, and he always knows when to lighten the tone, and when to give the normal darker tone, which is brilliant, and although he'll probably have some help from Snyder's script, he still does an excellent job of it. This issue didn't give Capullo much time to show off his great action sequences, but there was a couple near the start that were epic, showing exactly the kinds of things that Capullo can do, and what to expect later on in this story. The thing I noticed most about Capullo's art, and this was something he talked about in a recent interview with Comic Vine was how he managed to make Bruce look slightly younger. When I read what he said on the subject I wasn't too sure if he'd make Bruce look the right age, but with simple adjustments, like shortening his hair slightly, and thinning him out by the slightest of margins, it really does make him look younger, whilst at the same time not looking too young. I also liked how he made Alfred look a bit younger as well, as although yet again Alfred didn't look much younger, it was still noticeable. The layouts of Capullo's artwork in this issue was also fantastic, and like always it added much more drama to the story, whilst also helping to set the mood, and tone of the story.

This issue saw the return of the Red Hood Gang, who featured in issue 0. Now we didn't get much development from the Red Hood Gang in this issue, but it was still nice to see them return, and I'm sure this won't be the last we'll see of them in this story. The sequence that featured the Red Hood Gang was probably one of the most entertaining in the issue, as it had fun, drama, suspense, and excitement, which was brilliant, and the dialogue between Bruce, and Alfred, as well as from the leader of the Red Hood Gang was perfect.

During this sequence Bruce was wearing a prosthetic mask, also having others in his pre-Batcave. All this along with the other minor gadgets showed that Bruce may have not always planned on being Batman, and that he would use his prosthetics, and gadgets to fight crime, not being a symbol. I thought that in itself was a great idea, as he was bound to have wanted to fight crime before coming up with the idea of dressing as a bat, and this showed that perfectly, also showing a more realistic side to Batman. I also look forward to seeing how Snyder taked this, and turns it into Batman.

This issue would also show how Bruce, and Alfred's relationship wasn't always as strong as it currently is. In this issue we see Bruce not wanting to listen to Alfred, not valuing his input, and generally arguing with him. I found all this interesting, as it shows that this is a much more immature Bruce, as although he's grown up, he still wants to take everything on himself, and although he kind of takes that same attitude in the present, he does it in a much more respectful way. I do however look forward to seeing the development of Bruce, and Alfred's relationship, and whether there's a specific event that causes Bruce to trust, and care for Alfred more.

Not long after returning to Gotham, Bruce would be visited by his uncle, Philip Kane. It was nice that Philip appeared in this issue, and it was really nice to see Bruce interact with a member of his family. The conversation that Bruce, and Philip would share in this issue was very interesting, and it showed both the differences in both character's, as well as the fact that Philip doesn't really know Bruce well. During Philips appearance however there was a couple of interesting nods to future Batman items, with a giant penny (which would later appear in the Batcave) outside Wayne Enterprises, as well as the fact that Bruce was wearing a cap with a yellow R on it, which gives a nod towards Robin, and the symbolism behind this cap could very well be the reason Batman named his sidekick Robin.

The back-up story in this issue was written by Snyder, and regular back-up writer, James Tynion IV. This story would see how the young Bruce tackled crime, whilst also learning his craft. Now this wasn't the best back-up story that I've ever seen, but it's not the worst, and it was perfect for this issue, and I seriously hope the remaining back-up stories during this story continue in a similar fashion. The dialogue between Bruce, and Miguel in this story was very interesting, and the sudden change in attitude from Bruce was both dramatic, as well as exciting. The art on this back-up story was drawn by Rafael Albuquerque who's provided the art for Snyder's American Vampire series. Having only seen Albuquerque's art on a couple of the American Vampire issues I'm not too familiar with his work, but his art on this story was amazing, and I'd love to see more of it on future back-up stories.

Final Verdict

This was the perfect start to Zero Year, and Snyder really seems to be on a role, with a decent start to the Wake, and a phenomenal start to Superman Unchained. This issue had a little action, but besides that it was very dramatic, with brilliant dialogue, and great hints. The shocking end, along with the speculation as to how Snyder will develop this story has me hooked, and I can't wait for the next issue. I would highly recommend this issue, and as much of this series as you can get, as although it's had the odd blip, overall it's been amazing, and one of the best series DC produces.

Rating: 5/5

Batman #20 Review

Writer: Scott Snyder
Artist: Greg Capullo

I'm a huge Batman fan, and have been extremely happy with how the series has been handled under the wing of Scott Snyder, these last couple of years, and although it's not always been perfect, it's always been unique, and interesting, and I can't wait to see what he has in store with Zero Year.

Plot

After being attacked by Clayface, Bruce, and Lucius Fox have to escape death, and Batman has to find a way of defeating this new and improved Clayface.

Ghost Lights Part 2

Batman, and Superman continue their battle against Will o' the Wisp, with Superman's life in the balance.

Review

This was yet another brilliant issue, and the perfect conclusion to the two part filler between Death of the Family, and Zero Year. As I said in my introduction, Scott Snyder has been doing a phenomenal job on this series, and he continues to show why in this explosive issue. What I've liked about this two part story is that it's not meant to be epic, and is genuinely meant to be the perfect story to ease new readers who are considering getting the Zero Year storyline into the series. I've also loved during this story that Snyder has taken a step back with Batman, having Bruce be in the spotlight for more of the story, which was nice, as although I love seeing epic Batman action, it's nice to see Bruce get involved in business once in a while. The dialogue that Snyder wrote throughout this issue was also brilliant, and I loved the interaction between Clayface, and anyone that was in his way, whether Bruce, Batman, Lucius, or the Gotham City Police Department, as he just stamped his authority. In following that Snyder has also done a fantastic job of giving us a great Clayface story, as when I first noticed it was Clayface as the villain I wasn't sure what to think, as he's already recently appeared in Detective Comics recently, and will be making an appearance in Batman: The Dark Knight from issue 22, but I was glad that he appeared in this series, as it was a brilliant story.

Once again Greg Capullo did an amazing job of the artwork on this issue, and he really suits this series. To be honest if you told me two years ago that I'd land up loving Capullo's art I'd have laughed, as although I didn't mind his art on the opening issues of this series, I wasn't really a fan. I have however since started to love his art, especially during the Death of the Family crossover, and his style really suits the Bat, with the right tone's, and moods. Anyway, in this issue the detail in Capullo's art was outstandingly perfect, as usual, with everything whether close-ups of character's, big action sequences, or things in the background looked just right. The thing I probably loved the most about Capullo's art in this issue had to be the way he drew Clayface, as although Jason Fabok did an amazing job of drawing him in Detective Comics, Capullo's was much more like the Clayface that I enjoyed reading when I was younger, or seeing on the 90's Batman Animated series. The layout of Capullo's art was also excellent, and as usual he add's a lot more drama to the story, as everything is laid out with such precision. The way Capullo handled the action in this issue was also outstanding, and as usual he made sequences that most artists would make look good, look phenomenal.

To be honest when it was revealed last issue that the villain impersonating Bruce Wayne was none other than Clayface, I was shocked. Yeah I know, when you think about it he is the obvious candidate, and me being a huge Batman fan I should have really spotted it earlier, but I didn't, and it was a real surprise. Anyway, as I said a little earlier, I really loved Clayface being in this story, as although he made a decent appearance in a recent story in Detective Comics, it was nowhere near as good as this mini story. I think the thing that made this story better was that it was a superior Clayface, with upgrades, and a true motive, whereas in Detective Comics, he was normal, and was being manipulated by Poison Ivy, which although interesting, didn't do much for him as a character. I also loved the determination in Clayface during this issue, as he didn't seem like the second rate villain that he usually is, which was nice, as he is a good villain.

We also got to see Bruce, and Lucius interact more than usual in this issue, as with them both being trapped in the same crusher, they both have to work together to survive. Now the interaction in this sequence was actually very short lived, as they were too busy trying to find a way out of the death trap that they were in, but the conversation they had was very natural, and interesting, and you could see the respect that both character's had for each other, with Lucius being respectful cause Bruce is his boss, and Bruce being respectful for all the great things that Lucius has done for him as Batman (even though Lucius doesn't know he's Batman).

The was however one other thing in that sequence that caught my eye, and that was the Batman Beyond style Batsuit. Being a big fan of the Batman Beyond Animated series I loved that it made a brief appearance in this issue. I also loved how Lucius said that it wouldn't be cost effective for another 20 years, coincidently when Terry McGinnis, the Batman from Batman Beyond is from. I also loved that despite obviously being the Batman Beyond suit that it was still unique, and slightly different. I do however look forward to seeing if we'll see this suit again at some point during the future.

Now the Batman Beyond suit wasn't the only new suit to feature in this issue, as Batman would also sport a suit to tackle Clayface with. Now if I'm being honest I didn't really like this other suit, as although it was interesting seeing another suit, and one that's designed to counteract Clayface's new powers (which was done quickly), it just didn't look like a Batman suit, and more like a hazmat suit. Anyway, I didn't really like this suit, but do give both Snyder, and Capullo credit for creating something different, and unique.

The back-up story in this issue was the second, and final part of the Ghost Lights back-up story that has featured in this issue over the last couple of issues. I've really been enjoying James Tynion IV's work on these back-up stories, but this one didn't really appeal to me. There were things about the story in this issue, as well as last that appealed to me, but in general it was nothing special, and easily forgettable. One of the things in this part that I did like though was when Batman was talking to the girl who helped conjure Will o' the Wisp, trying to get her to help him, help Superman, which was very interesting, and showed that Batman did care for others, something that Mr. Dark and Brooding doesn't always show. The art from Alex Maleev was once again brilliant, and really suited this story, and although I still don't like the way he draws Superman, he doesn't have do a good job of drawing Batman, making him the dark, and frightful character he is, and although I may not be reading it myself, I'm sure he will do a great job when he takes over art duties on Batman: The Dark Knight.

Final Verdict

This was an excellent issue, and a great conclusion, to what was a terrific two part story. This issue was full of action, and excitement, as Snyder once again makes Clayface a force to be reckoned with. As well as being exciting, this issue also had another brilliant reference, and the dialogue throughout the issue was outstanding. Cause of all this I would highly recommend this issue, as well as the previous issue, and as much of the series as you can get, as it truly is one of the best DC series out the now, and with Zero Year just round the corner, it's the best time to jump aboard.

Rating: 4/5

Batman #19 Review

Writer: Scott Snyder
Artist: Greg Capullo

This is easily one of my favourite series that's out the now, and although being a huge Batman fan's probably the reason for that, the series itself is still brilliant, and although it's not always outstanding, it's always interesting, and usually entertaining.

Plot

The Gotham City Police Department are outside a bank waiting for the robber to appear, and when the robber exits the bank, with a hostage, it's none other than... Bruce Wayne!

Ghost Lights Part 1

Batman is visited by Superman who is worried about Batman's emotional state. However they don't have time to chat as they start investigating a mysterious event.

Review

This was a brilliant issue, and a terrific start to the two part story that fills the gap till Year Zero. Scott Snyder has been doing a brilliant job on this series, and although it's not quite been as good since the end of Death of the Family, I never really expected it would until at least the start of Year Zero. This issue itself is still fantastic, and although it's not an entirely original story, with slightly similar stories being done before, it's still unique enough, and most idea's for Batman have probably been done to a certain extent already anyway. Although in the finish up I felt the outcome was a little obvious, I personally couldn't work it out at the start, so mystery wise it was nice and interesting for me, but the sharper mind may work it out a lot quicker than I did, and I'm surprised that I didn't work it out straight away. Snyder also did a brilliant job of continuing with the fact that Robin's (Damian Wayne) dead, and although he didn't go into a lot of detail with it, it was still nice to see that Batman's still morning (something which I expect he'll be doing for a while).

The art from Greg Capullo was phenomenal, and I'm glad that he's back as the artist, as although Andy Kubert's art wasn't bad in the last issue, it didn't really suit Snyder's style of story, whereas Capullo's artwork has really suited it. Anyway, Capullo's art was nothing short of fascinating, and the detail was superb, with ton's of small details being perfect, which was really nice. The way Capullo draws the characters is also amazing, as although he draws the darker side of Batman fabulously, he also manages to draw simple civilians brilliantly. I also loved how he drew this darker side to Bruce Wayne, as whether this is actually Bruce's own actions or not (I won't spoil it for you) Capullo showed this darkness on Bruce's face brilliantly, and you could tell that he had evil, and twisted thoughts going through his mind, which was nice. The way Capullo lays out his artwork is also fantastic, as it adds a lot of drama, and along with the emotion that he shows in the characters facial expressions, it really gives a lot more drama, and tone to the story.

This story started with the police facing a bank robber that was revealed to be Bruce Wayne, which was a brilliant and shocking opening to this two part story, and although I expected something big, and volatile from this story, I wasn't quite expecting this, so I was quite happy with the surprise. I know that Bruce will be going through a lot with the death of his son not being that long ago, but he surely wouldn't go to lengths like this, so there's a clear indication that these aren't his own actions, and that there's most likely some mind control, involved, or that this is an imposter. I still won't reveal whether this is the case as to avoid spoilers, but these are the thoughts that I had when I started reading this, as with the moral code that Bruce keeps as both Bruce Wayne and Batman wouldn't be broken over the death of a loved one, even if he was emotionally unstable. It was however a nice twist, and I found it very interesting, and I look forward to seeing how it develops.

The question I also asked myself was what the police will think of Bruce Wayne following this, whether it was him or not, as due to it being a person with his likeness the fall would go to him. I still won't spoil whether this is actually Bruce or not, but I personally think that even if it was to be revealed that it was someone else that it'd be a good thing if the police didn't know this. I say that as it'd make a great twist to the series, with the police looking for Bruce Wayne, and him not being able to go out in the day, unless in a disguise, which would either help Batman's life as a vigilante, or hinder it. Now I know that similar has been done in Bruce Wayne: Fugitive, but I didn't read that (meaning to get a hold of it) so I don't know exactly what happened, but I still think it'd be a good change to the series, and with Year Zero coming up it'd leave it possibly dormant for quite a while. Despite that I think that the police will learn the truth, and that it won't affect the future of the series a great deal, but it'd be nice if it did.

The story then jumped back six days showing Batman squaring off against Reaper, with Robin. I liked this sequence as it was brilliant to see Damian alive again, as I'm still rather upset that he died, but besides that it made for a brilliant transition showing Batman in the Batcave morning. The two sequences together were probably truly brilliant, as the one that featured Damian felt very cheerful, and fun, whereas when it's reminded that he's dead it gets awful dark, and morbid, which was a brilliant contrast. I did however find it slightly weird continuity wise that Alfred was still there as in Batman, Incorporated #9 Bruce told him to go on vacation. I know that even though it's canon, Batman, Incorporated hasn't always been the best series continuity wise, with the other series having to fit around it. It could simply be that Alfred never adhered to what Bruce told him in Batman Inc. #9, but it still posts questions, and also shows that even though DC try to have there series close continuity wise, that it doesn't always succeed. I also really liked how Capollo drew Batman all dark, just having his eye slits white, as this kind of reminded me of the 90's Animated series.

The back-up story, Ghost Lights was written by James Tynion IV, and drawn by Alex Maleev, which had Batman and Superman investigating a mystical event. I've really enjoyed the back-up stories that Tynion IV has been writing in this series, and have been looking forward to him taking over Red Hood and the Outlaws (even though I liked Scott Lobdell's work on the series), and have even considered getting his Talon series (especially after a connecting story that featured in Detective Comics #19), but this wasn't as good as the previous stories I've read. Don't get me wrong there were parts I liked, and I'm pretty sure I'll prefer the second half, but this felt a bit short, and not very informative, going quite slow. I did however like the appearance from Superman, as it was nice to see him in Batman's hour of need, and it also gives a nice tease to the upcoming Superman/Batman series. I also liked the mystical element of the story, and with the brilliant cliffhanger ending believe that it will have a very interesting and entertaining ending. Maleev's art was also perfect for this story, and although I'm not to fond of how he draws Superman, he draws Batman brilliantly, and really gives the dark feel that is needed to a Batman story, and I might even continue getting Batman: The Dark Knight which I was considering dropping seems he's doing the art on the next story (but that's a big maybe), as I've really enjoyed his art on the previous two issues of this, as well as the double page additional art in Detective Comics #19. Anyway, this was overall an interesting story, but it was a bit slow, which was disappointing, but I'm sure it'll pick up in the final part.

Final Verdict

This was a fantastic issue, and although not quite to the level of Death of the Family, it was very enjoyable, and I'm sure the conclusion will be amazing. It was however very interesting, and quite mysterious, and although it borrowed elements from previous stories it still felt unique, which was a bonus. I would highly recommend this as it was fun, and interesting, but if you are seriously strapped for cash it's easily missable, as although it references Year Zero I doubt that it will affect it (especially considering Year Zero's meant to have happened prior to the start of this series).

Rating: 4/5