Haunt Volume 1 Review

Writer: Robert Kirkman
Artists: Greg Capullo & Ryan Ottley

How will Daniel Kilgore's life change when he merges with the ghost of his brother Kurt? Read on to find out.

The official description from Image:

ROBERT KIRKMAN and TODD McFARLANE present HAUNT! Based around two brothers, one a less than perfect priest, the other a government agent, the men struggle to get along, rarely agreeing on anything. An unexpected accident forces them to work together in ways they never thought possible. Struggling with his own personal demons, the priest begrudgingly works alongside the spirit of his recently deceased brother, who possesses him. Together, the brothers form a new superhero: Haunt.

When you get a series that is co-created by the Robert Kirkman (the creator of The Walking Dead, Invincible and many more) and Todd McFarlane (creator of Spawn and Image co-founder) there's a good chance that it's going to be good, and that's just what Haunt is. I first read the series not long after it launched and even re-reading it now the fantastic story still amazes me.

Although co-created by both Robert Kirkman and Todd McFarlane it's only Kirkman that writes the scripts for this volume. Kirkman does a terrific job of introducing all the key characters in this volume, as well as giving some exciting events as well. It is however the way that Kirkman puts the concept across in this volume that interests me the most, as despite one of them being a ghost the history between them adds a lot to their characteristics. Kirkman also shows the development of Haunt as a character brilliantly as well, as despite the similarities to McFarlane's most well known creation Spawn, Haunt proves to be a exciting character.

The art in the volume was shared between two fabulous artists, with Greg Capullo creating the layouts and Ryan Ottley producing the pencils. Added to this Todd McFarlane's marvellous inks along with FCO Plascencia wonderful colours and this has to be one of the best art teams ever assembled. The detail and layout of the art is simply breathtaking, with Capullo's the layouts being some of the most exciting and boldest that I've ever seen. Ottley also showed the characters expressions and emotions perfectly as well, with the sequence revealing Daniel and Kurt’s history being very impactful. Capullo and Ottley also give some of the mind blowing exciting action I’ve ever seen as well, with the explosive nature of Haunt adding a lot of excitement.

Haunt is a wonderful tale that shows how a supernatural occurrence can bring two estranged brothers closer together. It's also action packed and a extremely entertaining read and I highly recommend it.

Rating: 9/10

Batman #27 Review

Writer: Scott Snyder
Artist: Greg Capullo

Will Batman survive his battle with the GCPD? Read on to find out.

The official description from DC Comics:

“ZERO YEAR” reaches an all-important crossroads as Batman and Jim Gordon try to turn the lights back on in Gotham City. This issue leads directly into the final arc of Zero Year, which begins here next month!

I have had mixed feelings over Zero Year, as with the first arc being immense I expected a lot from this second arc, which to be honest has overall felt like a filler before the third arc. It has however had some good moments, with the early relationship between James Gordon and Batman being very interesting at times.

Scott Snyder once again produces a very good script in this issue, as although I still feel like it's taking up time prior to Batman's big encounter with the Riddler, it's still very dramatic. Snyder also manages to time everything well, as it wouldn't have been easy to follow up from the epic action sequence at the start of the issue, but he managed to do it in a way that was both intriguing without the pace changing too dramatically. On top of this Snyder also did a great job of showing more of Gordon's background, and how his characteristics were ever so slightly different back then (whilst still being overall good natured).

Greg Capullo once again did a phenomenal job of the artwork, and is still one of the things I love the most about this series. Capullo lays out his art in a way that captures each moment perfectly, allowing for every panel to be in it's own way very dramatic. Added to this the explosive action sequences and the way he shows character emotion and it's hard to think of the series being as good without his artwork. Capullo also continues to add the perfect dark tone this series needs, having a brilliant silhouette moment. On top of all this the colours from FCO Plascencia were once again outstanding, giving the perfect finish to Capullo's fabulous art.

Zero Year continues to have a mixed affect on me, as despite my overall opinion being very positive, I question the necessity of the length. I do however still highly recommend this and can't wait to read more.

Rating: 8/10

Batman #26 Review

Writer: Scott Snyder
Artist: Greg Capullo

Will Zero Year continue to be as awesome as it’s been so far? Read on to find out.

The official description from DC Comics:

ZERO YEAR continues! With Gotham City thrown into total chaos by The Riddler, Batman and Jim Gordon must learn to work together!

The first part of Zero Year involving the Red Hood Gang was simply astonishing, though it has been a bit slower as of late, though it ended on a brilliant cliffhanger with the last issue.

Scott Snyder continued from this cliffhanger brilliantly, though the issue itself was still lacking in areas, not being as exciting or explosive as the storyline was during the first part. Snyder did however do a great job of building up yet more hype and suspense in this issue, utilising one of Batman’s oldest villains, Doctor Death in an outstanding way. I also loved how Snyder answered the puzzling questions that last issue asked, whilst also showing a more intense side to the relationship between Bruce and Jim Gordon. It did however overall have too much set-up throughout the issue, which ultimately made it a little bit slower.

The artwork from Greg Capullo was however astonishing as usual, and was easily one of the best things about this issue. I loved the layout of Capullo’s art, as well as the immense detail that he adds, making this story feel all the more intense and suspenseful. I am however still not a huge fan of the change to Bruce’s look, as although it gives something a little more distinguishing for this younger Caped Crusader, it just doesn’t look right to me. This however is only personal taste, and nothing against Capullo’s art, as his work on Doctor Death and the action more than made up for this minor annoyance.

Zero Year appears to be slowing down a touch to set-up the big clash between Batman and the Riddler, and although this will probably pay off eventually it is slightly hurting the story the now. It is however still one of the better series out the now and it’s easy to recommend this issue.

Rating: 7/10

Batman #25 Review

Writer: Scott Snyder

Artist: Greg Capullo

So far this series has been outstanding and easily one of my favourites and so far Zero Year has been an amazing series, and a brilliant retelling of Batman's early years, and if it keeps up this pace it could easily become one of Scott Snyder's best Batman stories yet.

Plot

As Gotham is in a blackout created by the Riddler a series of strange murders start happening, reintroducing an old villain in a new way.

Review

This was yet another brilliant issue in the Zero Year story, as although unlike last issue it didn't justify the price increase, it was still very enjoyable with Scott Snyder setting up the future of the story perfectly. Snyder would also do a brilliant job of adding a lot of suspense and drama to this issue, as although the events of the issue weren't quite what I hoped they'd be, having very little Batman appearances, it would still have a lot of tension and excitement throughout the issue. Snyder would also do an amazing job of keeping the same dark and sombre tone that the story has had so far, adding in some light when needed, as it gives the perfect vibe to these early years of the Dark Knight.

The artwork in this issue would also yet again be outstanding with Greg Capullo doing an amazing job. The detail in his artwork is simply spectacular as although I'm still not overly fond of the hair style to this younger Bruce Wayne, the detail itself is very consistent throughout the issue, with it being to a very high standard. The layouts from Capullo would also be fantastic, adding a lot of depth and drama to the issue, as well as helping to add more suspense. The overall tone of Capullo's artwork would also be amazing, with the overall dark and mysterious tone being perfect for this issue, especially given the fact that Batman himself doesn't have a huge role in this issue.

We'd get to see a new version of Batman's Batmobile in this issue, with this version being a modern take on an earlier model. The car itself was simply spectacular, as although nowhere near as awesome as some of his more classic Batmobile's, it was the simplicity and the odd bit of technological spectacle that made it brilliant. I also loved the racer like gear stick as well as the racer like steering wheel and the harness like seatbelt, all of which would give a more realistic feel to the Batmobile. On top of that the look itself was that much different from the classic look for a Batmobile that it made it feel like the first model that it is.

There would be a new villain introduced in this issue, and it would be none other than the first villain that Batman would ever face in the earlier comics, Doctor Death. Now I've never been a huge fan of Doctor Death, but the fact that he was the very first villain that Batman ever faced made his appearance in this story very fitting. I also loved the reaction from the Gotham City Police Department towards Doctor Death's actions and I am looking forward to seeing Batman square of against him later on in the story.

This issue would also see one of Batman's more well known villains feature, with Poison Ivy making a cameo appearance. Now this would be prior to her becoming Poison Ivy, being plain old Pamela Isley but the fact that she made an appearance was very interesting, as it was nice to once again see Poison Ivy prior to becoming a villain. I also liked the way that her addition was handled in this issue, as it would work perfectly along with the developments within this issue, and I hope that cause of this we'll get to see the transition into Poison Ivy during Zero Year.

Final Verdict

This was a fantastic issue and although the price increase didn't quite feel worth it, the issue was still amazing, setting up the future of the story perfectly. On top of that it would also have a lot of mystery and suspense as although Batman himself doesn't have a huge role in the issue, it would still be very dark and exciting. Due to all this I'd highly recommend this issue as well as the story so far, and if you're short of cash and can't get the story so far, this is a great jumping on point.

Rating: 8/10

Batman #24 Review

Writer: Scott Snyder
Artist: Greg Capullo

This has been a series that I've enjoying since it first started, and this Zero Year storyline has been simply amazing so far. I have enjoyed how it's managed to give an unique origin for the Dark Knight, also giving exciting and entertaining events along the way.

Plot

After Bruce Wayne reveals himself to still be alive, Batman faces off against the Red Hood Gang once again.

Review

This was an amazing issue, and quite possibly the best in the storyline so far. Scott Snyder has done a brilliant job of bringing the first part of his epic tale to an end, with this issue being very dramatic and suspenseful, also being extremely exciting. I also felt that for an oversized issue that Snyder managed to keep the story at a brilliant pace, as it would be very easy with such a big issue to allow it to slow down a lot. Snyder also managed to do great justice to the Batman mythos in this issue, both showing homage to previous Batman work, as well as adding his own uniqueness to this retelling of Batman's origin. On top of that Snyder also wrote some fantastic dialogue in this issue, and if he continues like this the storyline could become one of the greatest Batman stories of all time.

The artwork on this issue was also once again phenomenal, and Greg Capullo continues to impress me. The detail in his artwork throughout this issue was simply amazing, with it being very consistent throughout, and that's saying something considering the amount of pages he had to draw (lucky he had the extra time during Villains Month). The layouts of Capullo's art were also brilliant, adding a lot of depth and tone to the issue. I also really enjoyed how Batman was hidden in shadows throughout most of this issue, and how the ears on the cowl were slightly pointier, reminding me of the earlier years of Batman, whilst still keeping it modern and fresh. Rafael Albuquerque also once again did a great job of his portion of the artwork, with his ten pages looking fantastic.

This issue would start with Batman stopping members of the Red Hood Gang from stealing chemicals. Now I really enjoyed this sequence as it was extremely fun and exciting, and kind of reminded me of my childhood with it having a similar style to Batman: The Animated Series from the 90's. I also loved how this showed Batman at his best, as although I have loved all the gadgets, and tools that he has acquired over the years, it was nice to see a more simplistic approach. I also loved how this also emphasised the fear that Batman puts into his foes, and the way that Batman would be clocked in darkness really helped this.

Bruce would also take some drastic steps in his normal life, deciding to make it public knowledge that he's not dead. Now I thought that this was a brilliant development point for the story, as not only does it help tie-up loose ends by revealing how Bruce is currently a public figure, it would also help build-up further parts of this issue. I also enjoyed the interaction between Bruce and his uncle Philip in this issue, with the sequence being very dramatic, revealing things that I've been expecting sine the start of the story. I did however find Bruce's new hair cut in this issue to be rather weird and silly looking, as although there was a good explanation for it, it still didn't look right for him.

My favourite sequence in this issue would come about half way through the issue, seeing a very dramatic and exciting sequence that took place in the A.C.E. Chemical Factory. Now I won't go into any details of the plot line, though I will say that the sequence would involved both Batman and the Red Hood Gang. The sequence was very entertaining and exciting, having some of the best artwork that I've ever seen from Capullo. It also had some brilliant homage points within, and left a lot of questions as to whether the sequence was as it seemed. I also loved the aftermath to this sequence that would come from Snyder, James Tynion IV and  Albuquerque at the end of the issue, with it having me extremely excited for the next issue.

Final Verdict

Snyder ends the first half of Zero Year on a high, with this issue quite possibly being the best in the storyline yet. It had a lot of excitement, as well as tons of drama and suspense, and was overall a fantastic read. It also did a lot for the Batman mythos, and giving him a fresh new origin that pays homage to previous stories. Due to all this I'd highly recommend this issue, and the story so far, and can't wait to read the next issue

Rating: 10/10

Batman #23 Review

Writer: Scott Snyder
Artist: Greg Capullo

This has been one of my favourite series, and with it featuring my favourite character it makes things even better. Besides that the current Zero Year story has also been very exciting, and unique, and it looks to be getting better, and better.

Plot

At the mercy of the Red Hood Gang, Bruce Wayne takes a horrible beating. Meanwhile Philip Kane, and Edward Nigma don't see eye to eye.

The Pit

Near Norway a 24 year old Bruce is involved in a death match to learn him that sometimes during war you have to kill.

Review

This was a brilliant issue, and the story keeps continuing to amaze me, but this issue wasn't quite as spectacular as the previous two. Scott Snyder does however do a brilliant job of developing this story, keeping the excitement, and drama at a high. Snyder also added plenty of suspense in this issue, as well as some brilliant emotion. I did however feel that there wasn't a lot happening in this issue, as although everything was so dramatic, it all happened rather fast. The dialogue during this issue was also brilliant, with the interactions being very intense, and exciting. I also loved the dark tone that Snyder added to this issue, as with it being an origin story for Batman it needs to have plenty of darkness about it.

The art was simply outstanding, and although when I was initially not a fan of Greg Capullo's art when this series started, it has really suited it, as although he's not the best Batman artist ever, he knows how to add the right tone to the series, whether dark, or light. The detail in Capullo's art is also spectacular, and it's very hard to find any imperfections in it. The layout of Capullo's art also adds plenty of depth, and drama to the issue, as although this isn't the most impressive layout he's done yet, it does it's purpose, adding brilliant tone to the issue. I also liked how he drew the beaten up Bruce, as although I was initially in two minds whether I liked it or not, I came to the conclusion that it was relatively realistic.

This issue would start with the Red Hood Gang beating Bruce to a pulp, with this continuing for about a third of the issue. This was a very exciting sequence, also adding a lot of tone, and suspense to the issue. With Bruce having little chance to do anything in this sequence, it was paramount to add a brilliant atmosphere, and Snyder did this perfectly, as the Red Hood Gang leader had a tremendous presence, with the dialogue that he'd say to Bruce adding a lot of depth, as well as more tone to this amazing sequence.

The other interesting sequence in this issue was a conversation between Philip Kane, and Edward Nigma. Now I won't go into too much detail about this sequence, as to avoid spoilers, but I will say my thoughts, as well as the fact that they had a disagreement. Now I've loved seeing Nigma, better known to Batman fans as the Riddler in this story, as with him being one of my favourite villains I'm happy to see him involved properly in a New 52 story. This sequence itself was however very dramatic, and suspenseful, with the dialogue once again being amazing, and I look forward to seeing how it's developed.

The back-up story would once again be written by Snyder, and James Tynion IV, and drawn by Rafael Albuquerque. This short story didn't really amaze me, as although I've been loving the concept of a younger Bruce in these back-up stories, with this having plenty of action, it didn't do much for me. I did however love Albuquerque's art, as although not quite as good as his previous two additions, it was very gritty, and dark, suiting this story perfectly.

Final Verdict

This was a tremendous issue, and although it's the worst in the story so far, it was still amazing, and shows just how good this story has been. The suspense, and drama throughout the story was outstanding, with exciting dialogue. The back-up story was however nothing special, and along with the fact that the everything happened so fast in the main story let the issue down a bit. I would however still highly recommend this issue, as well as the story so far, as it's been very unique, and interesting.

Rating: 9/10

Batman #22 Review

Writer: Scott Snyder
Artist: Greg Capullo

This has been a series that I have really enjoyed, as being a big Batman fan it's nice to see the main Batman series doing well, which it has been since Death of the Family, with this story looking to be just as good, if not possibly better.

Plot

Bruce continues battle against the Red Hood Gang, whilst his uncle, Philip Kane, and Edward Nigma conspire against him.

That One Time

A 21 year old Bruce goes to a man named Sergei to further his training.

Review

This was a brilliant issue, and although there were times where I wasn't sure if it met the same level of quality as the last issue, overall it may have even surpassed it. Scott Snyder is certainly doing a great job with this story, and although there was a couple of slow bits that made me consider lowering the rating, the other clever bits made up for them, and then some. The emotion that Snyder added to this issue was amazing, and I especially loved the interaction between Bruce, and Alfred. The action was also superb, and the way he's added Riddler (Edward Nigma) to the story has been brilliant, and I hope we also see him becoming the Riddler in this story.

The art from Greg Capullo was once again outstanding, and his style seriously suits this series. He may no be the best Batman artist ever, but he's certainly understood the tone of each story, adding the right tone for each story. The detail in Capullo's art is also brilliant with very few imperfections, if any. The layout of his art is also amazing, and I love the symbolism in his work. He also does a great job at drawing the character's, and especially with their facial expressions, even showing it on the Red Hood Gang, which isn't easy considering their faces are covered. the cover was also brilliant, and yet again showed symbolism, being very basic, yet still amazing.

This issue started with Bruce once again going after the Red Hood Gang. Now although I wasn't initially a fan of the group when they were introduced in the zero issue, I have however grown to like this group over the last couple of issues, and the mystery over who's leading them has left a lot of people speculating. I also have my theories, and although I won't share them here as to avoid potential spoilers (if I'm by any chance right) I will say that I don't think it's Joker, or Riddler as they're too obvious (plus Joker was just in a story). Besides this the action was perfectly handled, and I'm loving seeing Bruce use other resources to fight his war on crime, showing that Batman wasn't his initial plan.

There was a sequence in this issue where Bruce, and Alfred had a heated discussion, and although I won't go into details, as to avoid spoilers, I will say my thoughts on the sequence. First of all I felt it was expertly handled, and it added much more drama to the issue. I did however feel that both character's said things that weren't what you'd expect from them, but this just shows how much their relationship has changed over the years. Besides all this I liked the fact that despite it being a intense sequence it managed to add a bit of humour.

Last issue showed that Edward Nigman, better known as the Riddler would feature in this story, and that continued in this issue. Ridder is my second favourite villain after Joker, and could have easily have been my favourite if he'd featured in more great stories, so it's nice to see him in this story. The interaction between him, and Bruce in this issue was very interesting, and I loved how part of the discussion was in the form of a puzzle, as although it wasn't easy to read, it suited the Riddler perfectly. I also look forward to seeing what he has in story for Bruce, and what his goal is.

The back-up story was once again written by Snyder, and James Tynion IV, and drawn by Rafael Albuquerque. Now the story itself was nothing amazing, as although it was nice to see Bruce continue his training it wasn't necessary. I did however like how this made Bruce have to think hard, which was interesting. Albuquerque's art was however once again outstanding, and very well detailed.

Final Verdict

This was an amazing issue, and a great continuation to Zero Year. This issue had plenty of action, that was exciting, and explosive, as well as some intense, dramatic sequences. The addition of Edward Nigma, and the fact that he, and Bruce's uncle, Philip Kane are conspiring against Bruce is also interesting, and overall this has been a very enjoyable issue. Due to all this I'd highly recommend this issue, as well as last issue, and the zero issue, which also ties into the story.

Rating: 5/5

Batman #21 Review

Writer: Scott Snyder
Artist: Greg Capullo

This has been one of my favourite series since it started a couple of years ago, and during that time we've had some brilliant Batman stories, and although some have also been slightly poor, in general it's been brilliant.

Plot

After returning to Gotham City, Bruce Wayne plans on taking down the Red Hood Gang, developing new equipment in the fight against crime.

Where the Hell Did He Learn to Drive?!

A 19 year old Bruce goes on a drive with Don Miguel as he tries to escape the cops in Rio de Janeiro.

Review

This was yet another amazing issue, and a brilliant start to the Zero Year story. Scott Snyder has really been doing good lately, with the last year worth of this series being brilliant, the start of his new Vertigo series The Wake, and his newest series, Superman Unchained, which debuted this week. With all these different series operating at the same time it's surprising that they are all at such a high level of quality, but that doesn't seem to be a problem for Snyder. Anyway, although this was far from the most exciting issue of the series so far, it was still brilliant, having the perfect tone for the opening of this type of story. I really liked how it was much more down to Earth, having Bruce feature much more than Batman, as with it being the start you'd expect that. I also loved how Snyder managed to make this so emotional, and dramatic, whilst also feeling very natural. Talking about natural, the dialogue Snyder wrote for this issue was simply perfect, and although it wasn't the most interesting dialogue Snyder's written, it once again suited this type of story. I also liked how there was a hint of fun in this issue, as well as the fact that Bruce had a slightly different viewpoint, not entirely knowing what he's about to do.

The art in this issue was also spectacular, and Greg Capullo once again did an amazing job. His style of artwork suits this series perfectly, and he always knows when to lighten the tone, and when to give the normal darker tone, which is brilliant, and although he'll probably have some help from Snyder's script, he still does an excellent job of it. This issue didn't give Capullo much time to show off his great action sequences, but there was a couple near the start that were epic, showing exactly the kinds of things that Capullo can do, and what to expect later on in this story. The thing I noticed most about Capullo's art, and this was something he talked about in a recent interview with Comic Vine was how he managed to make Bruce look slightly younger. When I read what he said on the subject I wasn't too sure if he'd make Bruce look the right age, but with simple adjustments, like shortening his hair slightly, and thinning him out by the slightest of margins, it really does make him look younger, whilst at the same time not looking too young. I also liked how he made Alfred look a bit younger as well, as although yet again Alfred didn't look much younger, it was still noticeable. The layouts of Capullo's artwork in this issue was also fantastic, and like always it added much more drama to the story, whilst also helping to set the mood, and tone of the story.

This issue saw the return of the Red Hood Gang, who featured in issue 0. Now we didn't get much development from the Red Hood Gang in this issue, but it was still nice to see them return, and I'm sure this won't be the last we'll see of them in this story. The sequence that featured the Red Hood Gang was probably one of the most entertaining in the issue, as it had fun, drama, suspense, and excitement, which was brilliant, and the dialogue between Bruce, and Alfred, as well as from the leader of the Red Hood Gang was perfect.

During this sequence Bruce was wearing a prosthetic mask, also having others in his pre-Batcave. All this along with the other minor gadgets showed that Bruce may have not always planned on being Batman, and that he would use his prosthetics, and gadgets to fight crime, not being a symbol. I thought that in itself was a great idea, as he was bound to have wanted to fight crime before coming up with the idea of dressing as a bat, and this showed that perfectly, also showing a more realistic side to Batman. I also look forward to seeing how Snyder taked this, and turns it into Batman.

This issue would also show how Bruce, and Alfred's relationship wasn't always as strong as it currently is. In this issue we see Bruce not wanting to listen to Alfred, not valuing his input, and generally arguing with him. I found all this interesting, as it shows that this is a much more immature Bruce, as although he's grown up, he still wants to take everything on himself, and although he kind of takes that same attitude in the present, he does it in a much more respectful way. I do however look forward to seeing the development of Bruce, and Alfred's relationship, and whether there's a specific event that causes Bruce to trust, and care for Alfred more.

Not long after returning to Gotham, Bruce would be visited by his uncle, Philip Kane. It was nice that Philip appeared in this issue, and it was really nice to see Bruce interact with a member of his family. The conversation that Bruce, and Philip would share in this issue was very interesting, and it showed both the differences in both character's, as well as the fact that Philip doesn't really know Bruce well. During Philips appearance however there was a couple of interesting nods to future Batman items, with a giant penny (which would later appear in the Batcave) outside Wayne Enterprises, as well as the fact that Bruce was wearing a cap with a yellow R on it, which gives a nod towards Robin, and the symbolism behind this cap could very well be the reason Batman named his sidekick Robin.

The back-up story in this issue was written by Snyder, and regular back-up writer, James Tynion IV. This story would see how the young Bruce tackled crime, whilst also learning his craft. Now this wasn't the best back-up story that I've ever seen, but it's not the worst, and it was perfect for this issue, and I seriously hope the remaining back-up stories during this story continue in a similar fashion. The dialogue between Bruce, and Miguel in this story was very interesting, and the sudden change in attitude from Bruce was both dramatic, as well as exciting. The art on this back-up story was drawn by Rafael Albuquerque who's provided the art for Snyder's American Vampire series. Having only seen Albuquerque's art on a couple of the American Vampire issues I'm not too familiar with his work, but his art on this story was amazing, and I'd love to see more of it on future back-up stories.

Final Verdict

This was the perfect start to Zero Year, and Snyder really seems to be on a role, with a decent start to the Wake, and a phenomenal start to Superman Unchained. This issue had a little action, but besides that it was very dramatic, with brilliant dialogue, and great hints. The shocking end, along with the speculation as to how Snyder will develop this story has me hooked, and I can't wait for the next issue. I would highly recommend this issue, and as much of this series as you can get, as although it's had the odd blip, overall it's been amazing, and one of the best series DC produces.

Rating: 5/5

Batman #20 Review

Writer: Scott Snyder
Artist: Greg Capullo

I'm a huge Batman fan, and have been extremely happy with how the series has been handled under the wing of Scott Snyder, these last couple of years, and although it's not always been perfect, it's always been unique, and interesting, and I can't wait to see what he has in store with Zero Year.

Plot

After being attacked by Clayface, Bruce, and Lucius Fox have to escape death, and Batman has to find a way of defeating this new and improved Clayface.

Ghost Lights Part 2

Batman, and Superman continue their battle against Will o' the Wisp, with Superman's life in the balance.

Review

This was yet another brilliant issue, and the perfect conclusion to the two part filler between Death of the Family, and Zero Year. As I said in my introduction, Scott Snyder has been doing a phenomenal job on this series, and he continues to show why in this explosive issue. What I've liked about this two part story is that it's not meant to be epic, and is genuinely meant to be the perfect story to ease new readers who are considering getting the Zero Year storyline into the series. I've also loved during this story that Snyder has taken a step back with Batman, having Bruce be in the spotlight for more of the story, which was nice, as although I love seeing epic Batman action, it's nice to see Bruce get involved in business once in a while. The dialogue that Snyder wrote throughout this issue was also brilliant, and I loved the interaction between Clayface, and anyone that was in his way, whether Bruce, Batman, Lucius, or the Gotham City Police Department, as he just stamped his authority. In following that Snyder has also done a fantastic job of giving us a great Clayface story, as when I first noticed it was Clayface as the villain I wasn't sure what to think, as he's already recently appeared in Detective Comics recently, and will be making an appearance in Batman: The Dark Knight from issue 22, but I was glad that he appeared in this series, as it was a brilliant story.

Once again Greg Capullo did an amazing job of the artwork on this issue, and he really suits this series. To be honest if you told me two years ago that I'd land up loving Capullo's art I'd have laughed, as although I didn't mind his art on the opening issues of this series, I wasn't really a fan. I have however since started to love his art, especially during the Death of the Family crossover, and his style really suits the Bat, with the right tone's, and moods. Anyway, in this issue the detail in Capullo's art was outstandingly perfect, as usual, with everything whether close-ups of character's, big action sequences, or things in the background looked just right. The thing I probably loved the most about Capullo's art in this issue had to be the way he drew Clayface, as although Jason Fabok did an amazing job of drawing him in Detective Comics, Capullo's was much more like the Clayface that I enjoyed reading when I was younger, or seeing on the 90's Batman Animated series. The layout of Capullo's art was also excellent, and as usual he add's a lot more drama to the story, as everything is laid out with such precision. The way Capullo handled the action in this issue was also outstanding, and as usual he made sequences that most artists would make look good, look phenomenal.

To be honest when it was revealed last issue that the villain impersonating Bruce Wayne was none other than Clayface, I was shocked. Yeah I know, when you think about it he is the obvious candidate, and me being a huge Batman fan I should have really spotted it earlier, but I didn't, and it was a real surprise. Anyway, as I said a little earlier, I really loved Clayface being in this story, as although he made a decent appearance in a recent story in Detective Comics, it was nowhere near as good as this mini story. I think the thing that made this story better was that it was a superior Clayface, with upgrades, and a true motive, whereas in Detective Comics, he was normal, and was being manipulated by Poison Ivy, which although interesting, didn't do much for him as a character. I also loved the determination in Clayface during this issue, as he didn't seem like the second rate villain that he usually is, which was nice, as he is a good villain.

We also got to see Bruce, and Lucius interact more than usual in this issue, as with them both being trapped in the same crusher, they both have to work together to survive. Now the interaction in this sequence was actually very short lived, as they were too busy trying to find a way out of the death trap that they were in, but the conversation they had was very natural, and interesting, and you could see the respect that both character's had for each other, with Lucius being respectful cause Bruce is his boss, and Bruce being respectful for all the great things that Lucius has done for him as Batman (even though Lucius doesn't know he's Batman).

The was however one other thing in that sequence that caught my eye, and that was the Batman Beyond style Batsuit. Being a big fan of the Batman Beyond Animated series I loved that it made a brief appearance in this issue. I also loved how Lucius said that it wouldn't be cost effective for another 20 years, coincidently when Terry McGinnis, the Batman from Batman Beyond is from. I also loved that despite obviously being the Batman Beyond suit that it was still unique, and slightly different. I do however look forward to seeing if we'll see this suit again at some point during the future.

Now the Batman Beyond suit wasn't the only new suit to feature in this issue, as Batman would also sport a suit to tackle Clayface with. Now if I'm being honest I didn't really like this other suit, as although it was interesting seeing another suit, and one that's designed to counteract Clayface's new powers (which was done quickly), it just didn't look like a Batman suit, and more like a hazmat suit. Anyway, I didn't really like this suit, but do give both Snyder, and Capullo credit for creating something different, and unique.

The back-up story in this issue was the second, and final part of the Ghost Lights back-up story that has featured in this issue over the last couple of issues. I've really been enjoying James Tynion IV's work on these back-up stories, but this one didn't really appeal to me. There were things about the story in this issue, as well as last that appealed to me, but in general it was nothing special, and easily forgettable. One of the things in this part that I did like though was when Batman was talking to the girl who helped conjure Will o' the Wisp, trying to get her to help him, help Superman, which was very interesting, and showed that Batman did care for others, something that Mr. Dark and Brooding doesn't always show. The art from Alex Maleev was once again brilliant, and really suited this story, and although I still don't like the way he draws Superman, he doesn't have do a good job of drawing Batman, making him the dark, and frightful character he is, and although I may not be reading it myself, I'm sure he will do a great job when he takes over art duties on Batman: The Dark Knight.

Final Verdict

This was an excellent issue, and a great conclusion, to what was a terrific two part story. This issue was full of action, and excitement, as Snyder once again makes Clayface a force to be reckoned with. As well as being exciting, this issue also had another brilliant reference, and the dialogue throughout the issue was outstanding. Cause of all this I would highly recommend this issue, as well as the previous issue, and as much of the series as you can get, as it truly is one of the best DC series out the now, and with Zero Year just round the corner, it's the best time to jump aboard.

Rating: 4/5

Batman #19 Review

Writer: Scott Snyder
Artist: Greg Capullo

This is easily one of my favourite series that's out the now, and although being a huge Batman fan's probably the reason for that, the series itself is still brilliant, and although it's not always outstanding, it's always interesting, and usually entertaining.

Plot

The Gotham City Police Department are outside a bank waiting for the robber to appear, and when the robber exits the bank, with a hostage, it's none other than... Bruce Wayne!

Ghost Lights Part 1

Batman is visited by Superman who is worried about Batman's emotional state. However they don't have time to chat as they start investigating a mysterious event.

Review

This was a brilliant issue, and a terrific start to the two part story that fills the gap till Year Zero. Scott Snyder has been doing a brilliant job on this series, and although it's not quite been as good since the end of Death of the Family, I never really expected it would until at least the start of Year Zero. This issue itself is still fantastic, and although it's not an entirely original story, with slightly similar stories being done before, it's still unique enough, and most idea's for Batman have probably been done to a certain extent already anyway. Although in the finish up I felt the outcome was a little obvious, I personally couldn't work it out at the start, so mystery wise it was nice and interesting for me, but the sharper mind may work it out a lot quicker than I did, and I'm surprised that I didn't work it out straight away. Snyder also did a brilliant job of continuing with the fact that Robin's (Damian Wayne) dead, and although he didn't go into a lot of detail with it, it was still nice to see that Batman's still morning (something which I expect he'll be doing for a while).

The art from Greg Capullo was phenomenal, and I'm glad that he's back as the artist, as although Andy Kubert's art wasn't bad in the last issue, it didn't really suit Snyder's style of story, whereas Capullo's artwork has really suited it. Anyway, Capullo's art was nothing short of fascinating, and the detail was superb, with ton's of small details being perfect, which was really nice. The way Capullo draws the characters is also amazing, as although he draws the darker side of Batman fabulously, he also manages to draw simple civilians brilliantly. I also loved how he drew this darker side to Bruce Wayne, as whether this is actually Bruce's own actions or not (I won't spoil it for you) Capullo showed this darkness on Bruce's face brilliantly, and you could tell that he had evil, and twisted thoughts going through his mind, which was nice. The way Capullo lays out his artwork is also fantastic, as it adds a lot of drama, and along with the emotion that he shows in the characters facial expressions, it really gives a lot more drama, and tone to the story.

This story started with the police facing a bank robber that was revealed to be Bruce Wayne, which was a brilliant and shocking opening to this two part story, and although I expected something big, and volatile from this story, I wasn't quite expecting this, so I was quite happy with the surprise. I know that Bruce will be going through a lot with the death of his son not being that long ago, but he surely wouldn't go to lengths like this, so there's a clear indication that these aren't his own actions, and that there's most likely some mind control, involved, or that this is an imposter. I still won't reveal whether this is the case as to avoid spoilers, but these are the thoughts that I had when I started reading this, as with the moral code that Bruce keeps as both Bruce Wayne and Batman wouldn't be broken over the death of a loved one, even if he was emotionally unstable. It was however a nice twist, and I found it very interesting, and I look forward to seeing how it develops.

The question I also asked myself was what the police will think of Bruce Wayne following this, whether it was him or not, as due to it being a person with his likeness the fall would go to him. I still won't spoil whether this is actually Bruce or not, but I personally think that even if it was to be revealed that it was someone else that it'd be a good thing if the police didn't know this. I say that as it'd make a great twist to the series, with the police looking for Bruce Wayne, and him not being able to go out in the day, unless in a disguise, which would either help Batman's life as a vigilante, or hinder it. Now I know that similar has been done in Bruce Wayne: Fugitive, but I didn't read that (meaning to get a hold of it) so I don't know exactly what happened, but I still think it'd be a good change to the series, and with Year Zero coming up it'd leave it possibly dormant for quite a while. Despite that I think that the police will learn the truth, and that it won't affect the future of the series a great deal, but it'd be nice if it did.

The story then jumped back six days showing Batman squaring off against Reaper, with Robin. I liked this sequence as it was brilliant to see Damian alive again, as I'm still rather upset that he died, but besides that it made for a brilliant transition showing Batman in the Batcave morning. The two sequences together were probably truly brilliant, as the one that featured Damian felt very cheerful, and fun, whereas when it's reminded that he's dead it gets awful dark, and morbid, which was a brilliant contrast. I did however find it slightly weird continuity wise that Alfred was still there as in Batman, Incorporated #9 Bruce told him to go on vacation. I know that even though it's canon, Batman, Incorporated hasn't always been the best series continuity wise, with the other series having to fit around it. It could simply be that Alfred never adhered to what Bruce told him in Batman Inc. #9, but it still posts questions, and also shows that even though DC try to have there series close continuity wise, that it doesn't always succeed. I also really liked how Capollo drew Batman all dark, just having his eye slits white, as this kind of reminded me of the 90's Animated series.

The back-up story, Ghost Lights was written by James Tynion IV, and drawn by Alex Maleev, which had Batman and Superman investigating a mystical event. I've really enjoyed the back-up stories that Tynion IV has been writing in this series, and have been looking forward to him taking over Red Hood and the Outlaws (even though I liked Scott Lobdell's work on the series), and have even considered getting his Talon series (especially after a connecting story that featured in Detective Comics #19), but this wasn't as good as the previous stories I've read. Don't get me wrong there were parts I liked, and I'm pretty sure I'll prefer the second half, but this felt a bit short, and not very informative, going quite slow. I did however like the appearance from Superman, as it was nice to see him in Batman's hour of need, and it also gives a nice tease to the upcoming Superman/Batman series. I also liked the mystical element of the story, and with the brilliant cliffhanger ending believe that it will have a very interesting and entertaining ending. Maleev's art was also perfect for this story, and although I'm not to fond of how he draws Superman, he draws Batman brilliantly, and really gives the dark feel that is needed to a Batman story, and I might even continue getting Batman: The Dark Knight which I was considering dropping seems he's doing the art on the next story (but that's a big maybe), as I've really enjoyed his art on the previous two issues of this, as well as the double page additional art in Detective Comics #19. Anyway, this was overall an interesting story, but it was a bit slow, which was disappointing, but I'm sure it'll pick up in the final part.

Final Verdict

This was a fantastic issue, and although not quite to the level of Death of the Family, it was very enjoyable, and I'm sure the conclusion will be amazing. It was however very interesting, and quite mysterious, and although it borrowed elements from previous stories it still felt unique, which was a bonus. I would highly recommend this as it was fun, and interesting, but if you are seriously strapped for cash it's easily missable, as although it references Year Zero I doubt that it will affect it (especially considering Year Zero's meant to have happened prior to the start of this series).

Rating: 4/5

Batman #17 Review

Writer: Scott Snyder

Artist: Greg Capullo

This has been my personal favorite story to have come out of the New 52, and I'm slightly sad to see it end, but everything has to end, and it's better to end whilst ahead, as some stories drag on, and lose quality cause of that.

Plot

The grand finale to the Death of the Family crossover. Joker has all the Bat-Family sat around a table with Batman at the head of the table. The fates of everyone involved is in the balance, and Batman has to figure a way to stop Joker, without anyone dying.

Review

A brilliant way to end a terrific storyline. Scott Snyder has done a brilliant job on this story, and like he's done throughout he's ended it in a way that is very entertaining. The thing I liked about this issue was that nothing was has it seemed. Okay some of my own speculations were hinted in this issue (as to what was under the trays), but at the same time Snyder gave something that nobody could have fully predicted, and if they did I'd be surprised, and amazed. I also liked that Snyder continued to toy with me as a reader by pushing me a little closer to the goal whilst moving it by miles. I always like when you're questioning the contents of an issue, and this issue does this brilliantly, as I was questioning it before during and after reading the issue.

As usual the art was amazing and Greg Capullo did a fabulous job. His work on the series has been nothing short of phenomenal, and although he's not my favorite Batman artist he has done something very different with this series, and I will always remember it. His style of artwork more than suites this story, and I have really enjoyed the gruesomeness of his artwork throughout. Capullo also puts ton's of detail into his work, and it's easy to notice, as you have a character like Joker, who has his removed face as a mask. The detail in Capullo's art shows all the decay, and rot on Joker's face, and it's truly wonderful. He also adds suspense and drama with his artwork, and I love that he tries to show Batman in the shadows every now, and then without using it as an excuse to lower the work load.

As I said earlier Snyder and Capullo did a brilliant job with the suspense in this issue, and that was one of the things I loved most about the issue. At the start of the issue it is highly speculated to what's underneath the trays that Joker showed each member of the Bat-Family at the end of their tie-in stories. I also loved that despite the speculation that there was still a lot of variables that Snyder kept hidden till later on in the issue, and that he didn't spoil them at the start of the issue. The only minor annoyance I had with the issue however was during this sequence. Although I liked the suspense it kind of took away from the dread that the tie-ins ended on, but it was minor, and I personally would prefer having that than losing the suspense.

I loved that the symbolism was still on show in this issue, mainly with the first page of the issue having a skeleton bat coming out of the dark. It shows the role reversal between Batman, and Joker, whilst also showing how Joker's perspective on Batman, which is Joker feels that Batman should be in the darkness, and that the Bat-Family have exposed his, bringing him into the light (or at least that's how I see it). I liked this as at the end of the day this is what is driving Joker in doing what he's doing, as he wants a focused Batman that has no baggage to hold him down.

The coup de grâce was that there was a fight between Joker and Batman. How could this issue not end without the two arch rivals fighting one another. The fight was nothing short of outstanding, and it really added to the story. The dialogue during the fight couldn't have been any better, as it added to the speculation as to what either person knows about the other. I also liked that Joker started to act more serious, and that Batman changed into an entirely new gear. It showed how far he'd been pushed, and that he was still able to think of an ingenious plan that allows him to play things his way, and not Jokers.

WARNING: SPOILERS AHEAD!

I usually hate giving away spoilers, but for anyone that can't contain themselves, and want's to know the outcome of this issue read the paragraph bellow.

What happened to the Bat-Family? Nothing. Joker was only playing a game with them, and although he planned to kill them he never succeeded. What did Joker know? Nothing again. It is revealed that Batman visited Joker as Bruce Wayne, and that although it was obvious by Bruce's conversation that he was Batman, Joker couldn't care less for his identity by blanking him out, not wanting to ruin his personal fun. What has this done to the Bat-Family? A lot. The events in this storyline will affect ever member of the Bat-Family in some way or another, and it will also be questionable as to whether the Bat-Family still trusts Batman. What happens to Joker? He falls down a waterfall loosing his face mask. It is unknown whether he's dead or not, but I'd be surprised if he was.

Final Verdict

This was a brilliant end to a extraordinary story. It will be hard work to top this story but I wouldn't be at all surprised if Snyder manages to do it. I would highly recommend both this issue and the entire storyline which hasn't disappointed (at least not in this series).

Rating: 5/5

Batman #16 Review

Writer: Scott Snyder
Artist: Greg Capullo

I have loved this series of Batman, and especially since the start of Death of the Family, which has been phenomenal. Scott Snyder has done a tremendous job on both this series, and this story, and Greg Capullo has produced outstanding artwork throughout.

Plot

This issue sees Batman going through Arkham Asylum where he goes through some of his Rogues Gallery to get to Joker, including Mr. Freeze, Clayface, and Scarecrow. He eventually gets to Joker, who is with Penguin, Riddler, and Two-Face, who are all waiting to great their "King".

The back-up story features the aftermath of this issue and involves Joker, Penguin, Riddler, and Two-Face.

Review

This was a brilliant issue, and Snyder continues to amaze me with this story. Although this issue was a little slow to start of with, and had a few flaws, it was still a very good issue, and the way Joker was written was enough to make this my favourite issue in the storyline so far. To be honest I was slightly disappointed with the start of this issue, as it just felt a little slow, and I didn't like a couple of thing, but I'll talk more on that later. Snyder did however pull this back by once more writing the Joker perfectly, making him the unpredictable. psychotic individual that I love to read. I also loved how he kept the suspense up in this issue, and although some of the scenes looked unrealistic they were still awesome.

Capullo has done an amazing job of the artwork in this issue, and I think this is the main thing that has made the story as brilliant as it's been, as he's taken Snyder's amazing scripts and made them look breathtakingly fantastic. I love how he draws all the characters throughout this issue, but especially Joker. He shows Joker's emotions perfectly, as it's easy to tell if he's clowning about, or having a psychotic thought. Although Joker has been shown as an evil character many times in the past, I don't think he has looked as evil as the way Capullo drew him during certain scenes in this issue, as he looked really deranged and sinister.

The thing I mainly didn't like in this issue was the dancing at the start, as although it's something wacky for Joker to do, whilst also being enough to grab Batman's attention I personally felt that it wasn't right for this issue, and that it slowed the issue down a bit. I can however easily overlook this as it was a decent way to start the issue, making it slightly easier for newer readers to jump on in the middle of the story, and the rest of the issue outweighed this by miles.

I liked the sequence where Batman faces ton's of inmates armed with flaming swords, bats, and other weapons, and thought it looked awesome, but at the same time it looked slightly unrealistic, and all happened a bit to quick for my liking. Although I would have liked this sequence to have lasted a bit longer than it did, at the same time I was happy that it wasn't dragged out, as I'd prefer it to not quite last as long as I'd like, than last too long, taking away time from the Joker/Batman confrontation.

Besides the way Snyder writes Joker, the thing I liked most about this issue was how involved the more well known members of Batman's Rogues Gallery, and not just the main three that Joker recruited in the previous back-up stories. It was nice seeing Freeze, Scarecrow, and Clayface, and it was nice to see a focused Batman take them out easily. I also liked that despite each appearance being brief, it was still thought out, and didn't feel like it was thrown in to make up the pages. Although I liked that Batman took them down with relative ease, hence not wasting too much time, I would have probably preferred maybe one of them (preferable Clayface due to him featuring in Detective Comics recently) dropped to give more time to show Batman facing the other two, but besides that it was still very nice to see them.

I also really enjoyed that Joker had Penguin, Riddler, and Two-Face dressed up in a manner that fitted the game he was playing with Batman. Although I have never seen Joker do anything like this before I am not surprised, as he's very unpredictable, and you'd never be totally shocked by something he'd do. The thing I liked most about the collection of what could easily be considered as Batman's top 4 villains (whether you like them or not) is that it made the back-up stories more worth while, showing a grander purpose. I also liked that the other three didn't have a huge vocal involvement, as at the end of the day the story is mainly between Batman, and Joker, and should stay that way.

I won't talk about the ending much, but will say that it was shocking, and sets up the finally in next issue perfectly.

I also won't delve into the back-up story too much as it's an aftermath to the main story, and I don't want to spoil it. I will however say that in my opinion it was the worst back-up story in the Death of the Family story so far, and although it was still interesting it mainly seemed an easy way to possibly take Penquin, Riddler, and Two-Face out of the next issue. I did however love Jock's art, and have loved seeing it in these back-up stories, as it was the main thing I liked about Snyder's run of pre-New 52 Detective Comics.

Final Verdict

Another fantastically brilliant issue, in what has easily been my favourite story in the New 52 so far. I would highly recommend it to anyone, as well as both the rest of the story, and series, and hope that it finishes epically.

Rating: 5/5

Batman #15 Review

Writer: Scott Snyder
Artist: Greg Capullo

I have been enjoying this series overall since it started, but this story in particular has been one of the best Batman stories in the last few years. Scott Snyder has really done something wonderful in this story, and he's written Joker excellently, bringing him back to the Batman series in shocking fashion.

Plot

This issue sees the continuation from the last with Batman tied up on the bridge with Joker. After an explosion Batman captures Joker but is affected by his Joker Toxin. He latter wakes up to find the whole Bat-Family waiting for him, looking for answers.

The backup story shows Joker in Arkham Asylum persuading the Riddler to break out and join in on the fun.

Review

Another amazing issue, in this fabulous story. Snyder has continued what he's been doing throughout this series, and kept the suspense, and drama in this issue. The way Snyder introduced the remaining members of the Bat-Family into the main part of Death of the Family was brilliant, and he write all the different characters perfectly. He continues to show Joker's psychotic side, as well as his unpredictability, and he's doing a great job in making the Joker more sadistic. He also done a brilliant job of introducing Riddler into this story along with James Tynion IV in the backup story, but I'll talk more about that later.

Greg Capullo's artwork continues to amaze me, and it really suits both this series, and story. He does an excellent job of drawing all the characters, and although I probably prefer the art in their own series, I like how Capillo has made them fit into his style of art, whilst keeping there characteristics, and newer character designs from their own series. Capullo also draws action sequences brilliantly, and I loved how he drew Batman coming out of the flames. The emotion he puts into his artwork is also amazing, and I like how you can easily tell what the characters feeling, whether joy, laughter, or fear. The way Capullo has drawn Joker over this story line as also been fantastic, and I love how Joker looks really gruesome, and deranged in his artwork. Even the first page is brilliant, in it's own right, as it shows a really sinister Joker, and due to him being in the shadows it makes him appear even more evil, if that's possible.

The thing I was most looking forward to in this issue was that all the Bat-Family would not only be together in the same issue for the first time in this story, but since the New 52 started. I loved the clash of personalities in this sequence as we have characters like Jason Todd who feels like Batman has betrayed him again, Tim Drake, and Dick Grayson just wanting answers, Barbara Gordon not happy that Batman's kept this from her, and Damian Wayne defending his father, and hoping that Batman's doing the right thing. Believe it or not another reason I loved this sequence was because this cut down Joker's appearance in this issue. I've loved seeing him throughout this story, and he needs to be in most of it due to being centred around him, but it's nice to get a small break, and see what other Bat characters have to say.

When Batman explains what Joker meant about him having his calling card, it shows a past encounter between Batman and Joker in the early years. Batman is fighting Joker on top of a blimp, and later on he finds Joker's calling card in the Batcave. The sequence itself showing Batman's fight with Joker was brilliant, and I've been loving seeing all these different flashbacks. The way it was drawn was also brilliant, and I liked how Joker looked dramatically different, and actually looked similar to the earlier Joker. I also loved how the pages had faint lines through them, making them look like scratched tapes, and easily showed that this fight took place in the past.

The backup story featuring the Riddler was very good, and I liked seeing Riddler for the first time sine the New 52 started. Riddler has been one of my favourite villains of all time, just falling behind Joker, so his absence in the New 52 Universe upset me a bit. I know that Snyder has already mentioned that he planed to reintroduce Riddler into the DC Universe after he was done writing this story, but to see him in this issue was a very nice surprise. The story itself was very good, and I loved how it showed both Riddler and Joker's personalities brilliantly, and how Riddler was forced to use his genius.

Final Verdict

Another brilliant issue, in what's shaping up to be DC's best story in the New 52 so far. I would highly recommend this issue, and am looking forward to seeing what Joker has in store for Batman and the Bat-Family next issue.

Rating: 5/5